Appendices to Oleksandr Kholod's article"The specificity of images of menin the feminist prose of Evgenia Yaroshynska"

The purpose of the study was to identify the specifics of the images of men in the feminist prose of Evgeniya Yaroshynska using the example of the analysis of the texts of four images «The Guest», «The Yard of Life», «Flowers» and «The Bridegroom on Payment».Research methods. The holistic method allowed us to analyze the images of men in the feminist prose (pictures of life) of Evgeniya Yaroshynska from the standpoint of the integrity of the world, that is, in the chosen genre «pictures of life» we see a reflection of the whole world of the characters of the pictures of life in their interconnection and systematicity. Among the general scientific methods, we chose the methods of analysis and synthesis, which allowed us to conditionally «dismember» the general phenomenon of the picture of the world with which the characters of the pictures of life, created by E. Yaroshynska, live. The field methods in our research were the methods of observation, the method of quantum chronos, and the method of description.Using the methodology (research procedure), we identified several actions. 4 images of life were subject to analysis: «Guest» (volume – 7,206 characters with spaces), «Yard of life» (volume – 7,249 characters with spaces), «Flowers» (volume – 4,661 characters with spaces) and «Wife for payments « (volume – 7,693 characters with spaces). In the analyzed texts of E. Yaroshynska, we identified fragments in which the author provided a detailed (or fragmentary) description of the male characters. We characterized the author's descriptions of men according to the semantic differential scale of C. Osgood (Osgood, 1964). Each description received a conditional formal indicator of «positive traits» («+3»), «negative traits» («-3»), or «neutral traits» («0»).In the conclusions, we stated that there is specificity in the five towards men.

本研究旨在以叶夫根尼娅·亚罗申斯卡（Evgeniya Yaroshynska）女性主义散文中四类男性形象——《访客》《生命庭院》《花朵》与《有偿新郎》——的文本分析为案例，探析其男性形象书写的具体特质。

研究方法层面，本研究采用整体论研究法，从世界整体性视角出发，对叶夫根尼娅·亚罗申斯卡女性主义散文（即“生活图景（pictures of life）”体裁）中的男性形象展开分析。换言之，在该“生活图景”体裁中，可窥见该类文本角色所构建的完整世界图景，且角色间存在相互关联与系统性。在通用科学研究方法范畴内，我们选取分析与综合法，借此可将亚罗申斯卡笔下“生活图景”文本角色所置身的整体世界图景这一宏观现象，进行条件性的“拆解”分析。本研究的实地研究方法包括观察法、量子时序法（quantum chronos）与描述法。

依托本研究的方法论（研究实施流程），我们开展了多项分析工作。本次分析共涵盖4部“生活图景”类文本：《访客》（含空格字符数共7206个）、《生命庭院》（含空格字符数共7249个）、《花朵》（含空格字符数共4661个）以及《有偿新郎》（含空格字符数共7693个）。在对叶夫根尼娅·亚罗申斯卡的上述分析文本中，我们识别出作者对男性角色进行详尽或片段式描写的文本片段。我们依据奥斯古德（Osgood, 1964）语义差异量表（semantic differential scale），对作者笔下的男性形象描写进行特征刻画。每一段描写均被赋予条件性的形式化量化指标：“正面特质”（+3）、“负面特质”（-3）或“中性特质”（0）。

在结论部分，我们提出：叶夫根尼娅·亚罗申斯卡笔下的男性形象书写具有独特专属特质。