Submerged in the Greater Will

Submerged in the Greater Will For 2 cellos, choir and sub tone.Premiered by Tristen Parr, Judith Hamman (cellos), Monash University Singers at the Robert Blackwood Hall, September, 2018.
For eight Part choir: group 1, group 2, group 3, group 4. cello1, cello 2 and electronics.The title refers to one of he challenges of democracy: where notions of individualism are consumed within a greater overarching will. This is played out in the piece, as choir sections mirror and copy each other, and the cello duet blend in and out of the mass of singers.The score is proportional, with the highest point of the screen being the highest pitch reference, the bottom being the lowest pitch reference. Line thickness indicates dynamic (should be pp – mf). When text is black, it applies to all voices. Coloured text is specific to that part.The electronics are embedded in the score and should be played through one or more subwoofers, using the mini jack line out of an ipad playing the score

《沉浸于宏大意志》（Submerged in the Greater Will）：为两把大提琴、合唱团及低音调（sub tone）而作。
由Tristen Parr、Judith Hamman（大提琴）与莫纳什大学合唱团于2018年9月在罗伯特·布莱克伍德音乐厅首演。

编制为八部合唱团（分第1至第4组）、大提琴1、大提琴2及电子乐。作品标题指向民主面临的核心挑战之一：个人主义观念被更宏大的整体意志所吞噬。这一主题在作品中具象化呈现：合唱团各声部相互镜像与模仿，大提琴二重奏则在歌手群体的声浪中时而融入、时而淡出。

乐谱采用比例记谱法：屏幕最高点对应最高音参考，底部对应最低音参考。线条粗细表示力度（dynamic）（范围应为pp至mf）。黑色文本适用于所有声部，彩色文本则特定于对应声部。电子乐内容嵌入乐谱，需通过一个或多个低音炮播放，可利用iPad的迷你插孔输出乐谱信号。