Il diradarsi e il dissiparsi. Il rapporto di Pratt con il pubblico nella serialita-non seriale di Corto Maltese

The relationship between Pratt and his audience in the non serial-serial narration of Corto Maltese. Corto Maltese, more than just a comic, is the image of a cultural change taking place. Since "The Ballad of the salt sea", its first appearance, it breaks down the typical comic-book logic. Looking at Hugo Pratt works we can observe the definitive remediation of comics in new forms of expression,that will lead to a new cultural condition of the medium. Through merchandising, novels, reprints, Corto extends the boundaries of the narration in a scope never achieved before by Italian comics. In the last years, suspended in his fictional universe, Corto's stories became less frequent, moving away from the serial form, but also from specific aspects of the character; until its rebirth, first in new media forms, such as videogames and animated series, then in a renewed comic book version realized by Juan Diaz Canales and Ruben Pellejero, that renovate its myth in a post-serial way.

本数据集研究主题为《柯尔特·马尔泰塞》（Corto Maltese）非连载式叙事语境中，雨果·普拉特（Hugo Pratt）与其受众之间的关系。《柯尔特·马尔泰塞》绝非普通漫画，而是一场正在发生的文化变革的具象体现。自该作品首次亮相于《盐海谣》（The Ballad of the Salt Sea）起，便打破了传统漫画的叙事逻辑。纵观雨果·普拉特的创作，我们可以观察到其以全新表现形式对漫画进行的根本性重塑，这将为漫画媒介带来全新的文化生态。通过周边衍生品、衍生小说与再版发行，《柯尔特·马尔泰塞》拓展了叙事边界，其覆盖范围此前从未有意大利漫画能够企及。近年来，在该作品的虚构宇宙框架内，相关故事的产出日渐稀少，不仅脱离了连载创作模式，亦剥离了角色的专属特质；直至其迎来重生：先是以电子游戏、动画剧集等新媒体形式再现，随后由胡安·迪亚斯·卡纳莱斯（Juan Díaz Canales）与鲁文·佩列赫罗（Ruben Pellejero）打造全新漫画版本，以“后连载式”叙事重塑了这一经典形象。