Creation, Resistance, and Refacement: Postfuturist Storytelling, Cultural Flows, and the Remix

Creation, Resistance, and Refacement: Postfuturist Storytelling, Cultural Flows, and the Remix Investigating contemporary storytelling, I read experimental works of Kathy Acker, Stewart Home, and Jeff Noon alongside critical insights of Terry Eagleton, Richard Rorty, Fredric Jameson, and McKenzie Wark. Fusing the elements of quest and activism, these works speak against oppression and challenge the boundaries between and among disciplines, genres, and media. Vital to my work is the notion of the remix, suggesting an interconnectivity among diverse textual and audio-visual narratives. This reflects some of the permeating modernist concerns pertinent to contemporary critical and creative voices. Instead of excluding from the debate experiences ungraspable through language, the remix operates in the form of alternating cycles of silences and sounds. Disrupting discourse, they open up the lateral avenues for rethinking the socioscape and creation in terms of trust and love.

创作、反抗与重塑：后未来主义叙事、文化流动与重构式创作（Remix）
本研究聚焦当代叙事创作，通过研读凯西·阿克（Kathy Acker）、斯图尔特·霍姆（Stewart Home）与杰夫·努恩（Jeff Noon）的实验性作品，结合特里·伊格尔顿（Terry Eagleton）、理查德·罗蒂（Richard Rorty）、弗雷德里克·杰姆逊（Fredric Jameson）与麦肯齐·沃克（McKenzie Wark）的批判理论视角展开分析。这些作品融合了追寻叙事与行动主义元素，既发声对抗压迫，也打破了学科、体裁与媒介间的固有边界。重构式创作（Remix）的核心概念为本研究的关键支点，其指向多元文本与视听叙事间的互联互构关系。这一思路呼应了现代主义诸多延续至今的核心议题，亦契合当代批判与创作话语的关切所在。重构式创作并未将语言难以承载的体验排除在讨论之外，而是以沉默与声响交替循环的形式展开运作。其通过打破既有话语体系，为以信任与爱为维度重新审视社会景观（socioscape）与创作实践开辟了横向路径。