GEP-Analysis Project: Film industry affiliation and adjacency matrices (UK)

These affiliation and adjacency matrices were used to produce the network analysis in the research project “GEP Analysis: Assessing, Understanding, and Modelling the Impact of Gender Equity Policies (GEP) in the Film Industry” (04/2021–03/2024) funded by the joint Open Research Area (ORA 6). It describes UK film creatives working on feature films between 2005 and 2020. We derive our network datasets from the GEP-Analysis key creatives dataset (see Prommer, Radziwill and Ehrich 2023). For a full technical Report describing the production of the network matrices and analysis see Jones, Dadlani and Verhoeven 2024. For the full Project Report see Loist et al (2024).ReferencesJones, Pete, Aresh Dadlani, and Deb Verhoeven. 2024. “The Networks: Technical Report for the GEP Analysis Project.” In Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”, edited by Skadi Loist and Martha E. Ehrich, 43–66. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/394Loist, Skadi, Deb Verhoeven, Doris Ruth Eikhof, Elizabeth Prommer, Martha E. Ehrich, Pete Jones, Kevin Guyan, Amanda Coles, Sophie Radziwill, and Aresh Dadlani. 2024. Re-Framing the Picture: An International Comparative Assessment of Gender Equity Policies in the Film Sector. Full Report Gender Equity Policy (GEP) Analysis Project. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi. org/10.60529/390Prommer, Elizabeth, Sophie Radziwill, and Martha E. Ehrich. 2024. “The Numbers: Technical Report for the GEP Analysis Project.” In Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”, edited by Skadi Loist and Martha E. Ehrich, 34–42. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/393

本研究使用的隶属度矩阵与邻接矩阵（affiliation and adjacency matrices）被用于开展由联合开放研究区域（Open Research Area, ORA 6）资助的“性别平等政策（Gender Equity Policies, GEP）分析：评估、理解与建模性别平等政策对电影产业的影响”研究项目中的网络分析工作。该项目执行周期为2021年4月至2024年3月。
本数据集涵盖2005年至2020年间参与故事片制作的英国电影创作者。本研究的网络数据集源自GEP分析核心创作者数据集（详见Prommer、Radziwill与Ehrich，2023）。如需完整了解网络矩阵制作与分析的技术细节，请参阅Jones、Dadlani与Verhoeven 2024年的技术报告；如需查阅完整项目报告，请参阅Loist等人（2024）的研究成果。

参考文献
1. Jones, Pete, Aresh Dadlani, Deb Verhoeven. 2024. 《网络：GEP分析项目技术报告》，收录于由Skadi Loist与Martha E. Ehrich编辑的《“重塑图景”性别平等政策（GEP）分析项目报告技术附录》，第43-66页。波茨坦：巴贝尔斯堡康拉德·沃尔夫电影大学（Film University Babelsberg KONRAD WOLF）。https://doi.org/10.60529/394
2. Loist, Skadi, Deb Verhoeven, Doris Ruth Eikhof, Elizabeth Prommer, Martha E. Ehrich, Pete Jones, Kevin Guyan, Amanda Coles, Sophie Radziwill, Aresh Dadlani. 2024. 《重塑图景：电影行业性别平等政策的国际比较评估》，性别平等政策（GEP）分析项目完整报告。波茨坦：巴贝尔斯堡康拉德·沃尔夫电影大学（Film University Babelsberg KONRAD WOLF）。https://doi. org/10.60529/390
3. Prommer, Elizabeth, Sophie Radziwill, Martha E. Ehrich. 2024. 《数据：GEP分析项目技术报告》，收录于由Skadi Loist与Martha E. Ehrich编辑的《“重塑图景”性别平等政策（GEP）分析项目报告技术附录》，第34-42页。波茨坦：巴贝尔斯堡康拉德·沃尔夫电影大学（Film University Babelsberg KONRAD WOLF）。https://doi.org/10.60529/393