The trip as a script

The article’s intent is to analyze aspects of artist’s cinema connect¬ed to the issue of mobility and, therefore, to the context of globalization and of cultural transnationalism. These works are part of a specific segment in art in which the displacement, the journey, and/or the walk itself assume a major role in the creative process. They are relevant because they push us to reflect on the issue of mobility at the same time that they collaborate to expand the borders in moving images.

本文旨在探析艺术家电影（artist’s cinema）中与流动议题相关的面向，并由此关联全球化与文化跨国主义的语境。此类作品隶属于艺术领域的特定分支，其中空间位移、旅途乃至行走本身，均在创作流程中占据核心地位。这类作品具备显著研究意义：它们既促使我们对流动议题展开深入反思，同时亦助力拓展动态影像的边界。