La flor, de Mariano Llinás: o cinema reencontra a literatura

ABSTRACT The aim of this article is to study the relationship between cinema and literature in the film La flor (2018), by Argentine filmmaker Mariano Llinás. The method used is hermeneutics, by which we sought to investigate the interpretative perspectives emerging from the film and how they relate to the literary and cinematographic resources employed by the filmmaker, mainly through the exercise of style and the use of an extradiegetic narrator, responsible for the literary inflection of the film. Our findings show that, although the relationship between cinema and literature has been present in the history of cinema since the beginning, it gains a new contour in this film.

摘要 本文旨在探讨阿根廷导演马里亚诺·利纳斯（Mariano Llinás）执导的2018年影片《La flor》中电影与文学的关联。本文采用阐释学（hermeneutics）作为研究方法，旨在探究该片所呈现的阐释视角，及其与导演所采用的文学与电影创作手法之间的关联，重点关注风格的锤炼与外叙事层叙述者的运用——该叙述者承担了赋予影片文学化特质的工作。研究结果显示，尽管电影与文学的关联自电影史发轫之初便已存在，但在本片中这一关联呈现出全新的形态。