Self-relevance of music, sociability, and choice likelihood ratings of liquid and solid consumptions

These data contain (1) type of manipulated music consumers (fans/manias/otaku), (2) two variables for the manipulation check, namely (2a) music relevance to the self, which is measured by six items, “That musician and I have a lot in common,” “That musician is central to my identity,” “That musician is part of who I am,” “I derived some of my identity from that musician,” “That musician helps me to achieve the identity I wished to have,” “That musician helps me to narrow the gap between what I am and what I try to be” (0-100 slide scaling) and (2b) sociability, measured by five items, “I like to be with people,” “I welcome the opportunity to mix socially with people,” “I prefer working with others rather than alone,” “I find people more stimulating than anything else,” “I’d be unhappy if I were prevented from making many social contacts” (seven-point Likert scaling), and (3) consumer choice likelihood ratings of three music consumption styles, i.e., choice likelihood rating of rental liquid consumption (P1), choice likelihood rating of experiential liquid consumption (P2), and choice likelihood rating of solid consumption (P3) (8-24).

本数据集包含以下三项内容：(1) 操纵性音乐消费者类型（粉丝/狂热者/宅），(2) 两个操纵性检验变量，其中(2a)音乐与自我的相关性，通过六个项目进行衡量，包括“我与该音乐家有很多共同之处”、“该音乐家对我而言至关重要”、“该音乐家是我身份的一部分”、“我从该音乐家那里获得了部分身份”、“该音乐家帮助我实现我所期望的身份”、“该音乐家帮助我缩小我与理想自我之间的差距”（采用0-100的滑动刻度），以及(2b)社交性，通过五个项目进行衡量，包括“我喜欢与人相处”、“我欢迎与人们进行社交互动的机会”、“我更愿意与他人合作而非独自工作”、“我发现人比其他任何事情都更具刺激性”、“如果我被阻止进行许多社交互动，我会感到不快乐”（采用七点李克特量表），(3)对三种音乐消费方式的消费者选择可能性评分，即租赁液体消费的选择可能性评分（P1）、体验性液体消费的选择可能性评分（P2）和固体消费的选择可能性评分（P3）（8-24）。