Screendance Bárbara and its Poetics of ‘BBC’ Dialogues, or Between Body, Beliefs and the City

ABSTRACT The objective is to reflect on how the work Bárbara creates artistic poetics from the dialogue between urban space and screendance, problematizing deeply rooted beliefs from contemporary art and tensioning others, different ones, from digital culture. Principles of practice are adopted as research to discuss the interfaces between dance, audiovisual technology and modern architecture in Cataguases, Minas Gerais. Recording and editing strategies are highlighted in the creative process of the videodance Bárbara, and the state of trance, of estrangement that happened both to the character, when she dared to dance in a sacred space of the city, and to the researcher who dared to venture, in a wandering way, through the hybrid paths of contemporary art that dialogue dance and audiovisual.

摘要
本研究旨在反思作品《芭芭拉》如何通过城市空间与屏幕舞蹈（screendance）的对话关系构建艺术诗学：既对当代艺术中根深蒂固的固有观念提出质疑，又使源自数字文化的另类观念与既有观念形成张力。本研究以实践原则为研究路径，探讨巴西米纳斯吉拉斯州卡塔瓜西斯市舞蹈、视听技术与现代建筑之间的交互边界。研究重点剖析了影像舞蹈（videodance）作品《芭芭拉》的创作过程中所采用的录制与剪辑策略，并探讨了两种兼具疏离感与恍惚感的精神状态：一是作品角色于城市神圣空间中起舞时所经历的恍惚与疏离体验，二是本研究者以漫游式姿态探索舞蹈与视听艺术相融合的当代艺术混合路径时，自身所陷入的同样状态。