Niagara. La violenza dell’acqua come metafora dell’esistenza

The Author examines carefully the film Niagara to develop the theme of cinema and water. The choice falls on this film not only for aesthetic and landscape reasons.In Niagara it is Rose who, with extreme thoughtlessness and hidden excitement indeed, has desires of violence and death.

本文作者细致剖析了电影《Niagara》，以阐发电影与水的主题。选取本片作为研究对象，不仅出于美学与景观层面的考量。在《Niagara》中，罗丝（Rose）着实带着极端的轻率与暗藏的亢奋，怀揣着暴力与死亡的欲念。