Sanded Steps, Standing Over Stones - The Multiplicity of (Un-)Thought - Journal Article (Contextualising Information)

Sanded Steps, Standing Over Stones is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today. This item contains the Accepted Manuscript of an article by Luzar published by Taylor & Francis Group in Comparative and Continental Philosophy on 17/10/19 available online here or below under 'References'. Luzar, R. (2019) 'The multiplicity of (un-)thought: Badiou, Deleuze, event', Comparative and Continental Philosophy, 11:3, 251-264, DOI: 10.1080/17570638.2019.1679980. The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.《沙筑阶台，立于石上》（Sanded Steps, Standing Over Stones）是一场行为艺术作品，旨在重新反思历史语境下以及持续存在的疑难困境中的"痕迹"与"事件"——此类情境往往走向自我消解与"未发生性"。作品借助扫沙等自我消解式的行为，以及邀请观众朗读从文本与标语中提取的词汇等参与环节，追溯从1968年五月风暴到占领运动的文化革命与社会运动，并探讨此类事件在今日是否仍在持续上演或已然销声匿迹。 本数据集包含卢扎尔（Luzar）发表于《比较与大陆哲学》（Comparative and Continental Philosophy）的一篇文章的录用稿件，该文由泰勒弗朗西斯出版集团（Taylor & Francis Group）于2019年10月17日发布，可在"参考文献"项下的此处或下方链接获取。卢扎尔在2019年发表的这篇论文题为《（非）思想的多元性：巴迪欧（Badiou）、德勒兹（Deleuze）与事件》，刊载于《比较与大陆哲学》第11卷第3期，页码范围为251-264，DOI为10.1080/17570638.2019.1679980。 本作品受版权保护，未经许可不得擅自使用。使用本数据集即表示您同意遵守其相关政策与现行版权法规。