Tari Cindua Mato

Audio 3.1: Audio Example 1 in Chapter 3 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. In the south-coastal area of West Sumatra, the enactment of the ancient legend of “Cindua Mato” is a feature of the traditional dance repertoire. This legend describes the life of “Bundo Kanduang”, the ancestral queen of the Minangkabau people, who is attributed with having established a system of matrilineal rule that eventually came to be based on Islamic principles. Her son eventually ruled with her. “Cindua Mato” was his personal attendant and warrior, and in due course became king of all inland and coastal areas of Minangkabau. In this excerpt, recorded in December 1985, the “Tari Cindua Mato” or “Cindua Mato” Dance is accompanied by male vocalist, Bp Kadir Usman, who is in turn accompanied by an “adok”, a deeply resonant large frame drum which begins here with ponderous, widely interspersed beats but later plays a fast, continuous rhythm, suitably reflecting a changing mood in the song. Duration: 2 min. 43 sec.

Copyright 1985. Margaret J. Kartomi.

音频3.1：书籍《苏门答腊的音乐之旅（Musical Journeys in Sumatra）》第三章的示例音频1，作者玛格丽特·卡尔托米（Margaret Kartomi），出版于尚佩恩-厄巴纳：伊利诺伊大学出版社（University of Illinois Press），2012年。
在西苏门答腊南部沿海区域，古老传说“辛杜阿·马托（Cindua Mato）”的演绎是传统舞蹈剧目的特色之一。该传说讲述了米南加保族（Minangkabau people）的始祖女王“邦杜·坎当（Bundo Kanduang）”的生平：她被认为创立了母系统治体系，该体系最终以伊斯兰原则为基础。她的儿子后来与她共同执政。“辛杜阿·马托”曾是王子的贴身侍从与武士，之后成为米南加保所有内陆与沿海地区的国王。
本次节选录制于1985年12月，《辛杜阿·马托舞（Tari Cindua Mato）》由男性演唱者Bp·卡迪尔·奥斯曼（Bp Kadir Usman）演绎，演唱者的伴奏为“阿多克（adok）”——一种低沉洪亮的大型框架鼓。该鼓起初以沉重、间隔稀疏的节拍奏响，随后切换为快速连续的节奏，恰如其分地呼应了乐曲中情绪的变化。时长：2分43秒。
版权所有1985年，玛格丽特·J·卡尔托米（Margaret J. Kartomi）。