Egypt & Austria X: Visualizing the Orient (Prague, Czech Republic, 2014) - Programme

The tenth Egypt and Austria conference took place in Prague from the 1st to 3rd October, 2014. It was organized by the Film and TV School of Academy of Performing Arts (FAMU) and the Faculty of Humanities (FHS UK) of the Charles University under the title: Visualizing the Orient. Central Europe and the Near East in the 19th and 20th Century.The role of visualisation in the production of knowledge on Orient has become a subject of great interest in recent years. However, the question how the Oriental Other was represented in modern Central European visual culture has not yet stimulated an adequate scholarly interest. From the last decades of the 19th century onwards, the Orient became an integral part of a whole range of media and objects including photography, cinema, painting, and sculpture or book illustration. The Orient was staged, among others, in the most of Central European theatres and opera houses. Last but not least, orientalist imaginations were incorporated into period pop culture objects, such as comic cartoons, advertising or fashion. Travels and travellers often played the role of actual or imaginary mediators The main goal of our conference is thus to discuss both the wide range of visual forms and the conceptual frameworks suitable for the analysis of their social impacts.Presented paper: Visualising Egypt, giving birth to collections: Amalia Nizzoli, Marianne Brocklehurst and their pioneering activityAmalia Sola Nizzoli (1805 - ?) and Miss Marianne Brocklehurst (1832–1912) were among those early female personalities that travelled through Egypt leaving a detailed account of their journey. Amalia’s Memorie sull’Egitto (1841) and Marianne’s Diary (1873) still constitute exceptional testimonies of Egypt’s customs as viewed by two European travellers of the Nineteenth Century. Furthermore, their remarkable experiences are not limited to the recollection of events: both Amalia’s and Marianne’s journeys have also contributed to the creation of two collections of Egyptian antiquities in Italy (Museo Civico Archeologico, Bologna) and England (Macclesfield Museum, Macclesfield).The paper analyses and compares their impressions, the type of accounts they left, and the important events they witnessed as well as their significant contributions to Egyptology. https://orcid.org/0000-0002-8183-8483 https://orcid.org/0000-0003-1633-5377The Nizzoli Project
Amalia NizzoliWorldCat Record

第十届埃及与奥地利会议于2014年10月1日至3日在布拉格举行。此次会议由表演艺术学院电影与电视学校（FAMU）及查尔斯大学人文学院（FHS UK）联合举办，主题为《东方的视觉呈现：19世纪与20世纪中欧与近东》。近年来，视觉呈现在东方知识生产中的作用已成为学术界关注的焦点。然而，关于东方他者在现代中欧视觉文化中的表征问题，尚未引起足够的学术兴趣。自19世纪末以来，东方已成为包括摄影、电影、绘画、雕塑或书籍插图在内的多种媒体和物品的有机组成部分。东方在众多中欧剧院和歌剧院中得到了展示。尤为值得一提的是，东方学家的想象也融入了时期流行文化物品之中，如漫画卡通、广告或时尚。旅行者和旅行者的角色常常扮演着实际或想象的媒介。因此，本次会议的主要目标是探讨适用于分析其社会影响的广泛视觉形式和概念框架。展示的论文为《可视化埃及：收藏的诞生：Amalia Nizzoli、Marianne Brocklehurst及其开创性活动》。Amalia Sola Nizzoli（1805-？）和Miss Marianne Brocklehurst（1832–1912）是那些早期女性旅行者中的一员，她们穿越埃及，留下了对旅途的详细记录。Amalia的《关于埃及的回忆录》（1841）和Marianne的《日记》（1873）至今仍构成两位19世纪欧洲旅行者对埃及习俗的独特见证。此外，她们的非凡经历不仅限于事件的回忆：Amalia和Marianne的旅程还促进了意大利（波洛尼亚市立考古博物馆）和英格兰（马凯尔斯菲尔德博物馆，马凯尔斯菲尔德）两座埃及古董收藏的创立。论文分析了并比较了她们的印象、她们留下的账簿类型以及她们见证的重要事件，以及她们对埃及学的重要贡献。https://orcid.org/0000-0002-8183-8483 https://orcid.org/0000-0003-1633-5377

Nizzoli项目

Amalia Nizzoli
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