« Et gloriosus in saecula » : Paléographie des notations franques nord-occidentales (970–1120) - Annexes et Planches

The Materiality of Chant Manuscripts is an innovative multi-author  project dealing with the complex interconnections between learning, writing and  performing chant in the Middle Ages. A number of different methodological  approaches have been employed, with the aim of beginning to understand the  phenomenon of chant transmission over a large geographical area, linking and  contrasting modern definitions of East and West. Thus, in spite of this wide  geographical spread, and the consequent variety of rites, languages and musical  styles involved, the common thread of parallels and similarities between various  chant repertoires arising from the need to fix oral repertories in a written  form, and the challenges involved in so doing, are what bring this wide variety  of repertoires and approaches together. It is the Editors’ hope that this  multi-centric, multi-disciplinary approach will encourage scholars working in  these areas to consider their work as part of a much larger geographical and  historical picture, and thus reveal to reader and listener more, and far richer,  patterns of connections and developments than might otherwise have been  suspected.  
Online Appendix
Analyse des neumes : étude détaillée (6 pages)
ANNEXES (An. 1-7)
1. Schéma modal du Cantique de Daniel
2. Liste des témoins manuscrits examinés
3. Axes d’écriture
4. Modélisation des livres liturgiques au XIe s.
5. Variantes mélodiques
6. Coefficients de diversité graphique des neumes
7. Distribution des versets et parcours modal dans les sources
SYNOPTIQUES (Planches de format A3, pliées) 
A Tableau des neumes (pl. A-1-4)
B Transcriptions du Canticum Danielis (pl. B-1-16)
Jean-François Goudesenne, ‘« Et gloriosus in saecula ». Paléographie des notations franques nord-occidentales (970–1120)’, Musicalia Antiquitatis & Medii Aevi, 2 (Turnhout: Brepols, 2023)

《吟诵手稿的重要性》是一项创新的多作者项目，专注于探讨中世纪学习、书写与吟诵之间的复杂相互作用。该项目采用了多种不同的方法论方法，旨在初步理解吟诵在广大地理区域内传播的现象，并连接及对比东西方的现代定义。尽管这一地理分布广泛，且涉及各种礼仪、语言和音乐风格的多样性，但各种吟诵曲目之间因需将口头曲目固定成书面形式而产生的平行与相似性，以及在这一过程中所面临的挑战，正是将这一多样化的曲目和方法的共同纽带。编者期望这种多中心、多学科的方法能够鼓励在这些领域工作的学者们将他们的研究视为一个更广阔地理和历史图景的一部分，从而向读者和听众揭示比以往更为丰富、更为深远的联系与发展模式。