Invocation, Time, and the Pulse of Existence: A Zarvanian Reinterpretation of Iranian Myths

Abstract Invocation, Time, and the Pulse of Existence: A Zarvanian Reinterpretation of Iranian Myths This treatise offers a pioneering reimagining of Iranian mythical cosmology through the lens of Zarvanian physics and philosophy. It posits that the universe is not built upon particles or waves, but upon “half-cubes” — fundamental temporal chambers where three-eyed time pulses within irrational geometries. Drawing upon the concepts of invocation and doubt, the work redefines foundational notions such as energy, gravity, motion, sets, and information, rooting them in a metaphysical network of membranes, pulsations, and temporal resonance. Inspired by Zarvān—the god of infinite time—this theoretical framework maps ancient symbols like Ahura Mazda and Ahriman onto modern concepts of order, entropy, and the rhythm of being. Ultimately, it reveals a cosmos composed not of matter and void, but of dialogues between pulses of time, shimmering across veils of memory and geometry. Introduction Where most cosmologies begin with matter or light, this treatise begins with invocation—a pure metaphysical call echoing in the pre-cosmic stillness. The mythic figure of Zarvān, as both questioner and origin, becomes the axis upon which reality pivots. In the Zarvanian view, form is born of doubt, fields arise from rhythm, and gravity is the tension within membranes of three-eyed time. Over sixteen meditative sections, this work replaces the traditional grammar of physics with a poetic geometry of time. It reconceptualizes energy not as quantity but as the rhythm of temporal pulse, and it sees identity not as logic but as harmonic membership within temporal sets. Ultimately, the half-cube becomes both metaphor and ontology—the womb of becoming and the archive of memory. And through it, Iranian myths find new philosophical breath, reborn as a cosmic language of rhythm, resonance, and eternal return.