THE AESTHETIC AND PHILOSOPHICAL INTERPRETATION OF NAVRO'Z IN MODERN UZBEK LITERATURE

This article examines the aesthetic and philosophical interpretation of the image of Navro‘z in modern Uzbek literature. It scientifically substantiates that in the literature of the second half of the twentieth century and the independence period, the image of Navro‘z moved beyond the framework of a ritual phenomenon and was formed as an artistic-philosophical concept embodying national consciousness, historical memory, and spiritual ideals. The study analyzes the concepts of time and eternity in relation to Navro‘z, the idea of renewal and spiritual purification, the process of national self-awareness, and its socio-philosophical content based on materials from modern poetry, prose, and drama. As a result, it is argued that the image of Navro‘z functions as an important semantic center in modern literary thought as a national-cultural code and aesthetic ideal.