Sanded Steps, Standing Over Stones - Contextualising Information

<i>Sanded Steps, Standing Over Stones</i> is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today.<br>This item contains information which contextualises the central outputs:1. <b>Proposal</b> for performance at <i><b>Embodied Cartographies Symposium</b> </i>(Bath, 2017).2. <b>Event programme</b> for <i><b>Embodied Cartographies Symposium</b> </i>(Bath, 2017).3. <b>Event poster </b>for<b> </b><i><b>Resting, Walking, Place-Making: How Do We Talk About Invisible, Liminal Spaces in Art?</b> </i>(Montreal, 2018). Courtesy of Victoria Stanton. Used with permission.4. <b>Programme</b> for<b> </b><i><b>Resting, Walking, Place-Making: How Do We Talk About Invisible, Liminal Spaces in Art?</b> </i>(Montreal, 2018). Courtesy of Victoria Stanton. Used with permission.5. A <b>bibliography of works consulted</b> for the <i>Sanded Steps, Standing Over Stones</i> research project. <br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>