close by. Georges Franju, the uncanny, and the moving frame (video essay)
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In the films of Georges Franju the irreal lies right next to reality. It takes just a mere pan of the camera to move from the familiar to the horrible. The simplest cinematic device of the movable camera produces the most disturbing effects. A study in the uncanny that is always already there, just beyond the border of the image.
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[s.n.]创建时间:
2024-05-23



