RETROSPECTIVE MEMORY, PROSPECTIVE HORIZON AND RETARDATIONAL POETICS IN KHURSHID DAVRON'S "SAMARQAND DREAM" AND YASUSHI INOUE'S "SEIIKI MONOGATARI"

This article analyzes the expression of spatial-temporal harmony in the works of Khurshid Davron and Yasushi Inoue through retrospective memory, prospective horizon and retardational poetics. The study focuses on Samarkand dream and Seiiki monogatari, paying attention to the images of the city and the road, historical layers, travel experience, slowed description and cultural traces. The research demonstrates that retrospection, prospection and retardation operate as the main compositional devices that transform historical space into a living aesthetic and educational field.