Tables of the results of a systematic review of the literature of the BBD RSCI on the topic “Genre in the characteristics of the musical culture of the region” (application)

The data set contains tables compiled based on the results of an express review of the bibliographic database of the Russian Science Citation Index (RSCI) using eLIBRARY.RU search tools.Taking into account the significant dispersion in the refraction of theoretical traditions in the interdisciplinary field of research of regional musical culture, the concepts of sociocultural and epistemological frontiers by G. V. Bakumenko, introduced into scientific circulation by domestic scientists, logically following from the epistemological concept of methodological pluralism of P. Feyerabend, were used as the basic categories of methodological support for the study. In our case, we have to admit that the genre diversity of the objective reality of regional musical culture is a dynamic sociocultural phenomenon - that is, a sociocultural frontier, which, due to its dynamic nature, cannot be described by a single universal concept, but represents a certain set of concepts that descriptively characterize various manifestations of a part of reality. It is also legitimate to use the theoretical construct “epistemological frontier” to characterize the mobility of regional theoretical traditions in the description of such a mobile phenomenon as a musical genre. In other words, by sociocultural frontier we understand a part of moving reality, and by epistemological we mean theoretical abstractions that describe sociocultural frontiers, which can simultaneously be interpreted in various theoretical traditions.