Wall Drawing

For String Quartet, Theremin and electronics.Premiered by the Zephyr Quartet, November 2014, Adelaide ABC Classic FM studios."experimental music that radically challenges the way we think about music and performance and about the pervasive and seductive influence of new technologies". Chris Reid, Realtime Arts. Read the full review here."outstanding visually and aurally, using state-of-the-art media and skilful artistic invention" John McBeath, The Adelaide Advertiser. Read the full review here.“It might seem to some that color is synonymous with decoration, but I try to use color objectively… I do not use color for effect.” Sol LeWitt, 2003.This piece takes direct inspiration from the drawings of conceptual artist Sol LeWitt, and his statements that liken his art practice to that of composers of music. Using primary and secondary colour, and simple almost minimalist line drawing, the score contracts the short straight line with the curved continuous, as guides for musical structure. The piece was written during a residency at the Visby Centre for International Composers, supported by the AMC and ISCM.

为弦乐四重奏、泰勒明电子乐器及电子音乐创作。由泽菲尔四重奏团于2014年11月在阿德莱德的ABC经典FM录音棚首演。该作品是一部极具实验性的音乐作品，从根本上挑战了我们对于音乐与表演的认知，以及对新技术无处不在且极具诱惑力的影响的思考。克里斯·里德在《实时艺术》中如此评价。请在此处阅读完整评论。“在视觉和听觉上均堪称卓越，运用了最先进的媒体技术和精湛的艺术创造。”约翰·麦克比思在《阿德莱德广告商》中评论道。请在此处阅读完整评论。“对于某些人来说，色彩似乎等同于装饰，但我试图客观地运用色彩……我并不为了效果而使用色彩。”（Sol LeWitt，2003年。）本作品直接汲取了概念艺术家索尔·勒维特的绘画及其将艺术实践比作作曲家的陈述为灵感来源。运用原色和次色，以及简洁到近乎极简主义的线条绘制，乐谱将短直线与曲线连续线相结合，作为音乐结构的引导。该作品是在维斯比国际作曲家中心驻场期间创作而成，由澳大利亚音乐委员会（AMC）和国际现代音乐协会（ISCM）资助。