(Dis)enchanted Walking - Sweet Waters: Extended Phase, a selection of files documenting the exhibitions/installation at Saltford Brass Mill and Corsham Court, and online engagements.

Two public walking arts projects, Honouring Esther and Sweet Waters, developing a critical walking arts and media practice bringing past injustices into present consciousness generating contemporary social justice resonances.The live work offers an iteration of walking-with (Sundberg 2014) as a non-confrontational approach attending to obscured and reluctant heritage (Tomory 1997).This item contains documentation of the following:SWEET WATERS 2016-17: sense-ing legacies of slave-ownership in Bath and along the River AvonAims to develop an iteration of walking-with method as a non-confrontational approach attending to obscured and ‘reluctant heritage’ (Tomory 1997), extending techniques of spatial/temporal layering and folding as dissonant stimuli, generating social justice resonances.Images from the 'Soundings' installation at Saltford Brass Mill Oct 2017 and subsequent exhibition at Corsham Court. online presence. The item documents digital media, projections, and a performance prose response to the co-created social media trail. An installation of artefacts, walkers' notebooks and other documentation. Sweet Waters:Soundings took place during Heritage Open Week 2017 and was attended by walkers who took part in the project, as well as other supporters and visitors, during Heritage Open Week. The brass mill was a significant location in the cycle of walks; in C18th and C19th the mill, along with others along the River Avon, produced and processed brass goods including items of wearable wealth, manillas, a form of currency for the purchase of captured and enslaved people in West Africa. Waste from the brass manufacturing process was cast into building material, the 'memory stones' referred to by walkers. Social media trails were generated through the aggregation of walkers postings to a single trail using the Viewranger app and the Social Hiking platform. The blue icons represent social media postings this is demonstrated in performance prose piece, a live recorded response interacting with the combi-map trail.Project Outline: Developed over an 18 month period involving over 50 walkers and many hundreds online, Sweet Waters was part of Richard White’s ongoing investigation of walking arts as social justice intervention, developing tactics for articulating and materialising corporeal experience and affective resonance. The project resonates with UNESCO World Heritage programmes, specifically attending to legacies of slave-ownership. The project was commissioned for Bath Festival Fringe, funded by Arts Council England with support from Bath Spa University, Festival of Nature and Fringe Arts Bath. An installation at a heritage site followed as part of Museums Week and Journey to Justice Bristol. Participation was extended using social media with trails generated live and aggregated. Referencing body fluids and the memory of water folded in an understanding of the water cycle, the project generates insights and observations on volatile and porous bodies (Longhurst 2001), the power of things and memory making practices (Micieli-Voutsinas 2016; Bennett 2010). website/blog: http://www.walknowtracks.co.uk/sweet-waters.htmlAggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Vimeo folder: https://vimeo.com/album/5488933

两项公开的步行艺术项目——“致敬伊瑟”和“甘甜之水”，旨在构建一种批判性的步行艺术与媒体实践，将历史上的不公引入当下的意识之中，激发当代社会正义的共鸣。现场作品呈现了一种“步行陪伴”（Sundberg 2014）的迭代形式，作为一种非对抗性的方法，关注被遮蔽和不愿提及的遗产（Tomory 1997）。本项包含以下内容：《甘甜之水》（2016-2017）：感知巴斯及艾冯河沿岸奴隶主的所有权遗产。旨在发展一种“步行陪伴”方法的迭代形式，作为一种非对抗性的方法，关注被遮蔽和‘不愿提及的遗产’（Tomory 1997），扩展空间/时间层叠和折叠的技术，作为不和谐的刺激，激发社会正义的共鸣。包括2017年10月在索尔特福德铜器厂的‘声纳’装置中的图像和随后的在科尔舍姆庄园的展览。在线存在。该项目记录了数字媒体、投影和针对共同创建的社会媒体路径的表演散文回应。包括文物展品、步行者笔记本和其他文档。《甘甜之水：声纳》在2017年遗产开放周期间举行，参与者包括项目中的步行者、其他支持者和参观者。铜器厂是步行周期中的一个重要地点；在18世纪和19世纪，该厂及其在艾冯河沿岸的其他工厂生产并加工了铜制品，包括可穿戴的财富物品、马尼拉，一种用于在西非购买被捕获和奴隶的货币形式。铜器制造过程中的废料被铸造成建筑材料，被称为步行者所说的‘记忆之石’。社交媒体路径是通过使用Viewranger应用程序和Social Hiking平台将步行者的帖子聚合到单一路径中而创建的。蓝色图标代表社交媒体帖子，这在表演散文作品中得到了展示，这是一篇现场录音的回应，与组合地图路径互动。项目大纲：在18个月的时间里开发，涉及50多名步行者和数百名在线参与者，‘甘甜之水’是理查德·怀特对步行艺术作为社会正义干预的持续调查的一部分，发展了表达和具体化身体经验和情感共鸣的策略。该项目与联合国教科文组织世界遗产项目产生共鸣，特别关注奴隶主的所有权遗产。该项目由巴斯艺术节边缘委托，由英国艺术委员会资助，并获得巴斯斯巴大学、自然节和边缘艺术节的支持。作为博物馆周和正义之旅布里斯托尔的组成部分，在历史遗址举办了展览。通过社交媒体扩展了参与度，实时生成并汇总了路径。参考体液和水的记忆，将其折叠在水循环的理解中，该项目产生了关于易挥发和多孔身体（Longhurst 2001）、事物的力量和记忆构建实践（Micieli-Voutsinas 2016；Bennett 2010）的见解和观察。网站/博客：http://www.walknowtracks.co.uk/sweet-waters.html通过Social Hiking聚合社交媒体路径：http://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Vimeo文件夹：https://vimeo.com/album/5488933