Sanded Steps, Standing Over Stones - Embodied Cartographies - Bath, 2017
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<i>Sanded Steps, Standing Over Stones</i> is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today.<br><br>This item contains photographic documentation of the first iteration of the art work, performed at the <i>Embodied Cartographies Symposium</i><i> </i>in Bath in 2017. <br><b>Photographs courtesy of Ryan Wynn. Used with permission.</b><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b><br>



