Bong Joon-ho's Parasite

The research hypothesizes that Parasite utilizes semiotic elements (analyzed through Peirce’s triadic model) and Marxist theory to represent and critique class struggles, particularly focusing on the Kims' upward mobility, societal barriers, and ultimate collapse. By examining symbols, dialogues, and character dynamics, the study aims to reveal how media can embody and critique socio-economic hierarchies and systemic inequities. The data includes semiotic and Marxist analyses of key scenes, objects, and dialogues in Parasite. It examines:

Semiotic Elements: Identified as icons, indexes, and symbols, these represent class disparities, oppression, and resistance.
Marxist Themes: Focus on class conflict, alienation, exploitation, and rebellion.
Scenes & Dialogues: Analyzed interactions and visual elements that highlight class struggles.
The dataset was compiled through:

Film Analysis: Detailed viewing of Parasite to identify significant symbols, dialogues, and cinematic elements.
Theoretical Frameworks:
Peirce’s Semiotics: Identifies signs (icon, index, symbol) and their representational relationships.
Marxist Theory: Frames analysis of economic power dynamics, alienation, and the proletariat-bourgeoisie divide.
Notable Findings
Symbolism and Class Stratification:

The scholar's rock: A dual symbol of aspiration and burden, representing the Kims’ unattainable dreams.
The semi-basement: An index of the Kims' precarious social standing, exposed to hardship yet longing for upward mobility.
The stairs: A recurring icon of class hierarchy, depicting the Kims' ascent and eventual descent.
Dialogues as Class Commentary:

Mr. Park’s casual exploitation of Mr. Kim underscores the alienation inherent in capitalism.
The Kims’ deceptions, expressed in dialogue, reflect their desperation to ascend the social ladder.
Cinematic Juxtaposition:

The Park mansion versus the Kims’ semi-basement highlights stark socio-economic contrasts.
Climactic Rebellion:

Mr. Kim’s murder of Mr. Park serves as a violent critique of capitalist oppression, underscoring the destructive effects of systemic inequality.