Sanded Steps, Standing Over Stones - The Multiplicity of (Un-)Thought - Journal Article (Contextualising Information)

<i>Sanded Steps, Standing Over Stones</i> is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today.<br><br>This item contains the Accepted Manuscript of an article by Luzar published by Taylor &amp; Francis Group in <i>Comparative and Continental Philosophy</i> on 17/10/19 available online here or below under 'References'.<br><b>Luzar, R. (2019) 'The multiplicity of (un-)thought: Badiou, Deleuze, event', <i>Comparative and Continental Philosophy</i>, 11:3, 251-264, DOI: 10.1080/17570638.2019.1679980.</b><br><b><br></b><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law. </b><br><br>