GEP-Analysis Project: Film industry affiliation and adjacency matrices (Canada)

These affiliation and adjacency matrices were used to produce the network analysis in the research project “GEP Analysis: Assessing, Understanding, and Modelling the Impact of Gender Equity Policies (GEP) in the Film Industry” (04/2021–03/2024) funded by the joint Open Research Area (ORA 6). It describes Canadian film creatives working on feature films between 2005 and 2020. We derive our network datasets from the GEP-Analysis key creatives dataset (see Prommer, Radziwill and Ehrich 2023). For a full technical Report describing the production of the network matrices and analysis see Jones, Dadlani and Verhoeven 2024. For the full Project Report see Loist et al (2024).<b>References</b>Jones, Pete, Aresh Dadlani, and Deb Verhoeven. 2024. “The Networks: Technical Report for the GEP Analysis Project.” In <i>Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”</i>, edited by Skadi Loist and Martha E. Ehrich, 43–66. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/394Loist, Skadi, Deb Verhoeven, Doris Ruth Eikhof, Elizabeth Prommer, Martha E. Ehrich, Pete Jones, Kevin Guyan, Amanda Coles, Sophie Radziwill, and Aresh Dadlani. 2024. <i>Re-Framing the Picture: An International Comparative Assessment of Gender Equity Policies in the Film Sector. </i>Full Report Gender Equity Policy (GEP) Analysis Project. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi. org/10.60529/390Prommer, Elizabeth, Sophie Radziwill, and Martha E. Ehrich. 2024. “The Numbers: Technical Report for the GEP Analysis Project.” In <i>Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”</i>, edited by Skadi Loist and Martha E. Ehrich, 34–42. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/393