Kingdom Come

Performances: Shock of the New, Sound Spectrum, Perth, 2009. Bob White (laptop) and James Paul (tapes/computer)Everything Always, ABC Studios, Sydney, 2012. Jonno Watts (laptop)."a loud amorphous soundfield" Realtime Magazine, 2012. This piece was created from a desire to create a score for laptop and other electronic musicians to use a guide to sound manipulations. I was interested to create a “shell” or action guideline that laptop musicians could use to shape their own sounds and interact with them in the performance space. As such, the score is not so much about creating sound, but guiding it through different musical parameters. This was my first graphically scored work, following my work with text scores. You need the decibel ScorePlayer to read this score on the ipad, and the score file.

表演：新潮的冲击，声频范围，珀斯，2009。鲍勃·怀特（笔记本电脑）与詹姆斯·保罗（磁带/电脑）的《一切永恒》，澳大利亚广播公司录音室，悉尼，2012。乔恩诺·沃茨（笔记本电脑）。“一个嘈杂的混沌声场”——《实时》杂志，2012。本作品源于创作适用于笔记本电脑及其他电子音乐家使用的配乐指南，旨在提供声音操作的指导。我致力于创造一个‘外壳’或行为指南，供笔记本电脑音乐家运用以塑造自身声音并与之在表演空间中互动。因此，本乐谱并非旨在创造声音，而是通过不同的音乐参数引导声音的发展。这是我继文本乐谱作品后的首次图形乐谱创作。您需使用分贝ScorePlayer在iPad上阅读此乐谱，并获取乐谱文件。