Étude détempérée

Étude détempérée is a very delicate piece that requires the guitarist to play on the “wrong” side of the strings, which defeats the tempered fretting system of the guitar. It was inspired by discussions with French guitarist Jean-Luc Mas, in which he showed me the technique of playing on the fingerboard to produce the microtones, which are different for each string position. That is, when the player plays a particular note, a different note results depending on which string he or she plays it on. The book, New Guitar Sounds, by Jean-Luc Mas contains more detailed technical information regarding the tuning of the “detempered” system.

《调式研究》是一首极为细腻的曲目，它要求吉他手在弦的“错误”一面进行演奏，这打破了吉他的调音 fretting 系统。该曲目灵感来源于与法国吉他家让-吕克·马斯的讨论，他在讨论中向我展示了在指板上演奏以产生微音的技术，这些微音因每根弦的位置而异。也就是说，当演奏者演奏特定的音符时，根据他或她演奏的弦不同，会产生不同的音符。让-吕克·马斯所著的《新吉他声音》一书中包含了关于“非调式”系统调音的更为详细的技