bitKlavier Grand Sample Library—Harp Omni Mic Image

The bitKlavier Grand consists of sample collections of a new Steinway D
grand piano from nine different stereo mic images, with: 16 velocity
layers, at every minor 3rd (starting at A0); Hammer release samples;
Release resonance samples; Pedal samples. Release packages at 96k/24bit,
88.2k/24bit, 48k/24bit, 44.1k/16bit are available for various
applications. Harp Omnis: DPA 4060—omni-directionals These microphones are
placed directly on the metal harp of the piano and positioned to capture a
“high strings / low strings” perspective of the piano (along the length of
the harp). Such close positioning allows an engineer to ignore the natural
stereo image a listener would experience, and therefore can be more freely
positioned in a stereo image by the use of panning. Since they are a bit
further from the hammers, they predominantly capture the sound of the
vibrating strings and soundboard. File Naming Convention: C4 = middle C
.
Main note names: [note name][octave]v[velocity].wav
 -- e.g.,
“D#5v13.wav”
. Release resonance notes: harm[note
name][octave]v[velocity].wav
 -- e.g., “harmC2v2.wav”
. Hammer samples:

rel[1-88].wav (one per key)
 -- e.g., “rel23.wav”
. Pedal samples:

pedal[D/U][velocity].wav
 -- e.g., “pedalU2.wav” => pedal release (U =
up), velocity = 2 (quicker release than velocity = 1)
.