GEP-Analysis Project: Film industry affiliation and adjacency matrices (Germany)

These affiliation and adjacency matrices were used to produce the network analysis in the research project “GEP Analysis: Assessing, Understanding, and Modelling the Impact of Gender Equity Policies (GEP) in the Film Industry” (04/2021–03/2024) funded by the joint Open Research Area (ORA 6). It describes German film creatives working on feature films between 2005 and 2020. We derive our network datasets from the GEP-Analysis key creatives dataset (see Prommer, Radziwill and Ehrich 2023). For a full technical Report describing the production of the network matrices and analysis see Jones, Dadlani and Verhoeven 2024. For the full Project Report see Loist et al (2024).ReferencesJones, Pete, Aresh Dadlani, and Deb Verhoeven. 2024. “The Networks: Technical Report for the GEP Analysis Project.” In Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”, edited by Skadi Loist and Martha E. Ehrich, 43–66. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/394Loist, Skadi, Deb Verhoeven, Doris Ruth Eikhof, Elizabeth Prommer, Martha E. Ehrich, Pete Jones, Kevin Guyan, Amanda Coles, Sophie Radziwill, and Aresh Dadlani. 2024. Re-Framing the Picture: An International Comparative Assessment of Gender Equity Policies in the Film Sector. Full Report Gender Equity Policy (GEP) Analysis Project. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi. org/10.60529/390Prommer, Elizabeth, Sophie Radziwill, and Martha E. Ehrich. 2024. “The Numbers: Technical Report for the GEP Analysis Project.” In Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”, edited by Skadi Loist and Martha E. Ehrich, 34–42. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/393