La Emancipación de Un Cuerpo Sin Órganos Puesta a Prueba: 31ª Bienal de São Paulo

Abstract: This article shows that the 31st Sao Paulo Biennial has an emancipatory affinity for the landless - wanderers, migrants, and travelers. As such it becomes a Body without Organs (BwO) that displays liberating strategies, promoting disarticulation, experimentation, wandering, and the transit of subjects and peoples. This Biennial, as a BwO, moves intensities as sensible flows through the interstices of the artistic projects inside the organism. Here, the BwO becomes a set of practices that deterritorialize the strata of the "social organism", making the structured organs in these systems explode.