The American Dream and the culture of appearances in Mervyn LeRoy’s Little Caesar

Abstract Known as the precursor of the gangster sound films from this genre’s “classic” period, Little Caesar, directed by Mervyn LeRoy in 1931, narrates Rico Bandello’s (Edward G. Robinson) path from his rise as a gang leader to his death. Little Caesar established the parameters followed by the gangster films in the 1930s and also contributed to the image of the gangster as an American icon due to its dissemination through the cultural industry, mainly in terms of films. My objective with this present article is to verify through the analysis of some of the scenes how the culture of appearances and the ideology of the American Dream are configured throughout the narrative.