清代晋作家具艺术特征研究 英文标题:Characteristics for Shanxi Furniture Art of Qing Dynasty

在中国古典艺术门类中，家具无疑是集实用和艺术为一体的最具代表性的一种。述及家具，晋作家具形象万千，或易传承，典雅安逸，兼备两全，以其深厚的文化底蕴和艺术风格被众多专家和学者称道。山西是中华民族黄河流域文化的发祥地之一，凝聚三晋文化的晋作家具就诞生在这块黄土地上，经继承、演变、发展，形成了自己的独特风格。通过收集的晋作家具有关资料表明，与被誉为家具三大流派的广作、京作、苏作家具相比，晋作家具作为我国古典家具的另一个重要的分支流派，无论在文物、考古、收藏界还是在古玩市场上，早已引起人们的重视，但未能更深入更细致的对研究晋作家具进行探索和研究。随着山西区域经济发展，山西收藏市场逐渐繁荣。近年晋作家具逐步受到大众青睐，其收藏价值也因物以稀为贵而稳步上升。在这种趋势下，山西地区博物馆收藏的晋作家具珍品逐渐增多，但同时真伪家具充斥收藏市场。经过翻阅资料和实地考察，晋作家具研究偏重于收藏知识、家具图样等方面，而在晋作家具基础性研究方面较为欠缺。本文在前人研究成果的基础上，通过类型学方法，对明清晋作家具进行基础研究，探究明清晋作家具的定义、起源及发展、分布与流传，以及材质特征、类型风格和分期特征等内容，以期更加系统地做好清代晋作家具的基础性研究，在一定程度上为晋作家具藏品研究以及收藏提供资料，同时揭示家具在某种程度象征了地域经济、文化的发展，延续着地域性的历史特点和文化传承，达到展现晋作家具的独特的艺术魅力，弘扬晋作家具衍射出的三晋文化内涵的目的。

Among all categories of classical Chinese art, furniture is undoubtedly one of the most representative forms that integrate practical functionality and artistic appeal. When discussing furniture, Jin-style furniture boasts diverse forms and styles, is easy to inherit, elegant and comfortable, and strikes a perfect balance between practicality and aesthetics. It has been highly praised by numerous experts and scholars for its profound cultural heritage and distinct artistic style. Shanxi is one of the birthplaces of the Chinese nation's culture in the Yellow River basin. Jin-style furniture, which embodies the core of Three-Jin culture, originated on this loess land. After centuries of inheritance, evolution and development, it has formed its own unique artistic style. Based on collected materials related to Jin-style furniture, compared with the three major schools of classical Chinese furniture—Cantonese-style, Beijing-style and Suzhou-style furniture—Jin-style furniture, as another important branch of classical Chinese furniture, has long attracted attention in the fields of cultural relics, archaeology, collection and the antique market. However, sufficient in-depth and detailed systematic research on Jin-style furniture has not been carried out. With the economic development of the Shanxi region, the local collection market has gradually prospered. In recent years, Jin-style furniture has gradually gained popularity among the general public, and its collection value has steadily risen due to its rarity. Under this trend, the number of precious Jin-style furniture collections in Shanxi museums has gradually increased, while both authentic and counterfeit Jin-style furniture have flooded the collection market. Based on literature review and field investigations, existing studies on Jin-style furniture mostly focus on collection knowledge and furniture design drawings, while basic research on Jin-style furniture is relatively lacking. Based on the existing research achievements of predecessors, this paper conducts basic research on Ming and Qing dynasty Jin-style furniture using the typological method, exploring its definition, origin and development, distribution and circulation, as well as material characteristics, stylistic features and chronological staging characteristics. It aims to conduct more systematic basic research on Qing dynasty Jin-style furniture, provide reference materials for the research and collection of Jin-style furniture collections to a certain extent, and reveal that furniture, to a certain extent, symbolizes the development of regional economy and culture, and carries forward regional historical characteristics and cultural heritage, so as to showcase the unique artistic charm of Jin-style furniture and promote the cultural connotation of the Three-Jin culture embodied by Jin-style furniture.

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该数据集聚焦清代晋作家具的艺术特征研究，涵盖其历史发展、材质工艺和风格特点等基础性内容，属于植物学领域的文本型科学数据。数据集采用协议共享方式提供，数据量为2.07KB。