Bayreuth Festspielhaus measured and virtual BRIRs, Sketchup model

Virtual reproduction of Bayreuth Festspielhaus (BF) through a geometrical model of the theatre, which includes the material properties found after acoustic calibration procedures. A whole virtual orchestra of about 110 elements and a loudspeaker orchestra (and soloist/choirs) was simulated in Odeon v.12. BRIRs (Binaural Room Impulse Responses) for 3 receivers in the stalls of BF were rendered with and without the audience. Measured BRIRs (in unoccupied condition) are also included (recorded in September 2014, custom dodecahedron as a sound source and Schoeps KFM6 as a binaural microphone). If you use data from dataset please cite the following: D. D’Orazio et al. The aesthetics of the Bayreuth Festspielhaus explained by means of acoustic measurements and simulations, Journal of Cultural Heritage, 34, November–December 2018, 151-158, https://doi.org/10.1016/j.culher.2018.03.003本数据集通过几何建模实现拜罗伊特节庆剧院（Bayreuth Festspielhaus, BF）的虚拟复现，该模型纳入了经声学校准流程测得的材质属性。本研究基于Odeon v.12平台，模拟了一支包含约110个声部的完整虚拟管弦乐团，以及扬声器乐团（含独奏者/合唱声部）的发声场景。针对BF正厅内的3个接收点，我们渲染了存在观众与空场两种场景下的双耳房间脉冲响应（Binaural Room Impulse Responses, BRIRs）。数据集同时收录了2014年9月录制的空场实测BRIRs，本次实测采用定制十二面体作为声源，搭配Schoeps KFM6作为双耳麦克风。若使用本数据集，请引用如下文献：D. D’Orazio 等，《通过声学测量与模拟解析拜罗伊特节庆剧院的声学美学》，《文化遗产期刊（Journal of Cultural Heritage）》，第34卷，2018年11-12月，第151-158页，https://doi.org/10.1016/j.culher.2018.03.003