GEP-Analysis Project: Film industry affiliation and adjacency matrices (UK)

These affiliation and adjacency matrices were used to produce the network analysis in the research project “GEP Analysis: Assessing, Understanding, and Modelling the Impact of Gender Equity Policies (GEP) in the Film Industry” (04/2021–03/2024) funded by the joint Open Research Area (ORA 6). It describes UK film creatives working on feature films between 2005 and 2020. We derive our network datasets from the GEP-Analysis key creatives dataset (see Prommer, Radziwill and Ehrich 2023). For a full technical Report describing the production of the network matrices and analysis see Jones, Dadlani and Verhoeven 2024. For the full Project Report see Loist et al (2024).ReferencesJones, Pete, Aresh Dadlani, and Deb Verhoeven. 2024. “The Networks: Technical Report for the GEP Analysis Project.” In Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”, edited by Skadi Loist and Martha E. Ehrich, 43–66. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/394Loist, Skadi, Deb Verhoeven, Doris Ruth Eikhof, Elizabeth Prommer, Martha E. Ehrich, Pete Jones, Kevin Guyan, Amanda Coles, Sophie Radziwill, and Aresh Dadlani. 2024. Re-Framing the Picture: An International Comparative Assessment of Gender Equity Policies in the Film Sector. Full Report Gender Equity Policy (GEP) Analysis Project. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi. org/10.60529/390Prommer, Elizabeth, Sophie Radziwill, and Martha E. Ehrich. 2024. “The Numbers: Technical Report for the GEP Analysis Project.” In Technical Appendix of the Gender Equity Policy (GEP) Analysis Project Report “Re-Framing the Picture”, edited by Skadi Loist and Martha E. Ehrich, 34–42. Potsdam: Film University Babelsberg KONRAD WOLF. https://doi.org/10.60529/393本数据集所用的隶属度矩阵（affiliation matrix）与邻接矩阵（adjacency matrix），被用于开展由联合开放研究区域（Open Research Area, ORA 6）资助的研究项目“GEP分析：评估、解析与建模性别平等政策（Gender Equity Policies, GEP）在电影产业中的影响”（2021年4月—2024年3月）中的网络分析工作。 本数据集涵盖2005年至2020年间参与剧情长片制作的英国影视创作者。本网络数据集源自GEP分析核心创作者数据集（详见Prommer、Radziwill与Ehrich，2023）。如需了解网络矩阵构建与分析方法的完整技术报告，请参阅Jones、Dadlani与Verhoeven（2024）的研究成果；完整项目报告请参阅Loist等人（2024）的研究。 参考文献： 1. Jones, Pete, Aresh Dadlani, Deb Verhoeven. 2024. 《网络：GEP分析项目技术报告》，收录于《重构图景：GEP分析项目报告技术附录》，Skadi Loist与Martha E. Ehrich编，第43–66页。波茨坦：巴贝尔斯堡电影大学康拉德·沃尔夫分校。https://doi.org/10.60529/394 2. Loist, Skadi, Deb Verhoeven, Doris Ruth Eikhof, Elizabeth Prommer, Martha E. Ehrich, Pete Jones, Kevin Guyan, Amanda Coles, Sophie Radziwill, Aresh Dadlani. 2024. 《重构图景：电影行业性别平等政策国际比较评估》，GEP分析项目完整报告。波茨坦：巴贝尔斯堡电影大学康拉德·沃尔夫分校。https://doi.org/10.60529/390 3. Prommer, Elizabeth, Sophie Radziwill, Martha E. Ehrich. 2024. 《数据：GEP分析项目技术报告》，收录于《重构图景：GEP分析项目报告技术附录》，Skadi Loist与Martha E. Ehrich编，第34–42页。波茨坦：巴贝尔斯堡电影大学康拉德·沃尔夫分校。https://doi.org/10.60529/393