New rock-art data from the state of Mato Grosso, Brazil: A graphical analysis of rock-art shelters between the Vermelho and Gavião rivers: Datasets and Supplementary Materials

Suggested citation: Please reference the associated publication above when using any datasets or materials described
This directory contains the following datasets and supplementary materials:
MAP, FIGURES AND SUPPLEMENTARY 3D MATERIALS

All data were collected in the field. For the processing of the data were used Adobe Photoshop and Illustrator; and Agisoft PhotoScan Pro

MAP
Figure 2: Map showing the location of Rondonópolis
FIGURES
Figure 1: A typical view of Cidade de Pedra
Figure 3: Rock-art sites documented and studied
during the field campaign
Figure 4 : Detail of cruciform paintings found at two different sites
Figure 5: Plans directeurs
Figure 6: Gavião. Detail of the first paintings
Figure 7: Gavião. Detail of schematic animal paintings

3D DATASETS
Photogrammetric model, Barulho D'Água Site (.U3d)
Photogrammetric model, Mata Onça Site (.U3d)
Photogrammetric model, Morro Solteiro Leste (detail of panel) Site (.U3d)
Photogrammetric model, Gavião (detail of panel) Site (.U3d)
Figure 8: Gavião. Drawing or plan directeur, and topography
Figure 9: Gavião. Detail of painting (right) and drawing or plan directeur
Figure 10: Erugóda. Detail of painting
Figure 11: Erugóda. Detail of painting
Figure 12: View from Boca da Noite
Figure 13: Boca da Noite. Highly schematic anthropomorphic paintings
Figure 14: Mata Onça. Preliminary 3D models
Figure 15: Mata Onça. Birds in black pigment with non-figurative polychromatic
paintings
Figure 16: Contemporary interventions at the rock-art site of
Morro Solteiro Leste
Figure 18: Biroska. Panel drawing or plan directeur,
with cross-like motif
Figure 19: Enxame. Cross-like motif
Figure 20: Barulho d’Água. Drawing or plan directeur, panel 2
Figure 21: Barulho d’Água. Detail of photogrammetric model showing the positions of the panels, one painted entirely with black pigment (black rectangle) and the other
with red pigment (red rectangle).
Figure 22: Bird drawings from the Mata Onça
(left) and Araracanga (right) sites
Figure 23: Tracings of cruciform motif at Praça Noroeste (left),
Abrigo Mirante do Arco (center) and Viji (right)

View the profile and 3D models: https://sketchfab.com/arterupestremt

NOTE: ALL THE IMAGES AND 3D DATA ARE FOR PARTICULAR USE ONLY, NO PUBLICATION IS ALLOWED. FURTHER PERMISSION IS REQUIRED FOR PUBLICATION