New rock-art data from the state of Mato Grosso, Brazil: A graphical analysis of rock-art shelters between the Vermelho and Gavião rivers: Datasets and Supplementary Materials

Suggested citation: Please reference the associated publication above when using any datasets or materials described This directory contains the following datasets and supplementary materials: MAP, FIGURES AND SUPPLEMENTARY 3D MATERIALS All data were collected in the field. For the processing of the data were used Adobe Photoshop and Illustrator; and Agisoft PhotoScan Pro MAP Figure 2: Map showing the location of Rondonópolis FIGURES Figure 1: A typical view of Cidade de Pedra Figure 3: Rock-art sites documented and studied during the field campaign Figure 4 : Detail of cruciform paintings found at two different sites Figure 5: Plans directeurs Figure 6: Gavião. Detail of the first paintings Figure 7: Gavião. Detail of schematic animal paintings 3D DATASETS Photogrammetric model, Barulho D'Água Site (.U3d) Photogrammetric model, Mata Onça Site (.U3d) Photogrammetric model, Morro Solteiro Leste (detail of panel) Site (.U3d) Photogrammetric model, Gavião (detail of panel) Site (.U3d) Figure 8: Gavião. Drawing or plan directeur, and topography Figure 9: Gavião. Detail of painting (right) and drawing or plan directeur Figure 10: Erugóda. Detail of painting Figure 11: Erugóda. Detail of painting Figure 12: View from Boca da Noite Figure 13: Boca da Noite. Highly schematic anthropomorphic paintings Figure 14: Mata Onça. Preliminary 3D models Figure 15: Mata Onça. Birds in black pigment with non-figurative polychromatic paintings Figure 16: Contemporary interventions at the rock-art site of Morro Solteiro Leste Figure 18: Biroska. Panel drawing or plan directeur, with cross-like motif Figure 19: Enxame. Cross-like motif Figure 20: Barulho d’Água. Drawing or plan directeur, panel 2 Figure 21: Barulho d’Água. Detail of photogrammetric model showing the positions of the panels, one painted entirely with black pigment (black rectangle) and the other with red pigment (red rectangle). Figure 22: Bird drawings from the Mata Onça (left) and Araracanga (right) sites Figure 23: Tracings of cruciform motif at Praça Noroeste (left), Abrigo Mirante do Arco (center) and Viji (right) View the profile and 3D models: https://sketchfab.com/arterupestremt NOTE: ALL THE IMAGES AND 3D DATA ARE FOR PARTICULAR USE ONLY, NO PUBLICATION IS ALLOWED. FURTHER PERMISSION IS REQUIRED FOR PUBLICATION引文建议：使用本数据集或所述相关材料时，请引用上文列出的关联出版物。 本目录包含以下数据集与辅助材料：地图、图表及补充3D素材。 所有数据均采自野外实地，数据处理使用了Adobe Photoshop、Illustrator以及Agisoft PhotoScan Pro软件。 ### 地图（MAP） 图2：隆多诺波利斯（Rondonópolis）位置分布图 ### 图表（FIGURES） 图1：石头城（Cidade de Pedra）典型景观 图3：本次野外调查中记录并研究的岩画遗址 图4：两处不同遗址出土的十字形绘画细节 图5：总平面图（plans directeurs） 图6：加维昂（Gavião）：首批绘画细节 图7：加维昂（Gavião）：程式化动物绘画细节 ### 3D数据集（3D DATASETS） 摄影测量模型（photogrammetric model）：巴鲁卢-达瓜遗址（Barulho D'Água Site），格式为.U3d 摄影测量模型（photogrammetric model）：马塔翁萨遗址（Mata Onça Site），格式为.U3d 摄影测量模型（photogrammetric model）：莫鲁-索尔泰鲁-莱斯特（岩画区域细节）遗址（Morro Solteiro Leste (detail of panel) Site），格式为.U3d 摄影测量模型（photogrammetric model）：加维昂（岩画区域细节）遗址（Gavião (detail of panel) Site），格式为.U3d 图8：加维昂（Gavião）：测绘图或总平面图（plans directeurs）与地形信息 图9：加维昂（Gavião）：（右侧）绘画细节与测绘图或总平面图（plans directeurs） 图10：埃鲁戈达（Erugóda）：绘画细节 图11：埃鲁戈达（Erugóda）：绘画细节 图12：博卡-达诺特（Boca da Noite）视角景观 图13：博卡-达诺特（Boca da Noite）：高度程式化的拟人绘画 图14：马塔翁萨（Mata Onça）：初步3D模型 图15：马塔翁萨（Mata Onça）：黑色颜料绘制的鸟类与非具象多色绘画 图16：莫鲁-索尔泰鲁-莱斯特（Morro Solteiro Leste）岩画遗址的当代修护作业 图18：比罗斯卡（Biroska）：带有十字形纹样的岩面测绘图或总平面图（plans directeurs） 图19：恩沙梅（Enxame）：十字形纹样 图20：巴鲁卢-达瓜（Barulho d’Água）：2号岩面测绘图或总平面图（plans directeurs） 图21：巴鲁卢-达瓜（Barulho d’Água）：摄影测量模型细节，展示岩面位置：一处为全黑色颜料绘制（黑色矩形标注），另一处为红色颜料绘制（红色矩形标注） 图22：马塔翁萨（左）与阿拉拉坎加（Araracanga，右）遗址的鸟类绘画 图23：西北广场（Praça Noroeste，左）、阿布里戈-米兰特-杜阿尔科（Abrigo Mirante do Arco，中）与维吉（Viji，右）遗址的十字形纹样摹本 查看轮廓与3D模型：https://sketchfab.com/arterupestremt 注意：所有图像与3D数据仅可用于特定用途，严禁未经许可出版。若需出版，须另行获取授权。