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Re-writing the machinic anthropocene - Book: The Signal and the rock (2017)

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data.bathspa.ac.uk2023-03-09 更新2025-01-21 收录
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‘Re-writing the Machinic Anthropocene’ asks how speculative fictional methods can be used within the field of media art, to expose the materialities of digital technologies and to bring into view non human 'voices' and perspectives.This item contains documentation of the artist's book The Signal and the rock (2017). This book was presented alongside the exhibition at the Stanley Picker Gallery in 2017 and is designed to accompany the final audio work Re-writing the overcode (2017). The Signal and the rock operates as a form of fictive hyperobject, expanding on the function and the contents of the film and audio work and building on the strategies and methods of the practice via a series of cross-referenced notes from a wide variety of sources.The book is significant as it enlists a set of non human fictive characters to highlight the non human perspectives and materialities of digital technologies, including characters such as the 'Digital Image' and the 'Mountain Gorilla' as well as decomposing electrical components located below an e-waste site. In the final part of the book a manifesto is outlined which directly engages with the research questions by employing fiction to re-write relations between man made machines, their raw materials and the earth.All materials are owned and produced by Charlie Tweed and displayed with permission. The items remain in Copyright to Charlie Tweed and may not be reused or distributed.Material in this item is under copyright and not to be used or shared without permission of the author and artist. Use of this repository acknowledges cooperation with its policies.

《重写机械时代》一作探究了如何将推测性小说的方法应用于媒体艺术领域,以揭示数字技术的物质性,并展现非人类‘声音’与视角。本项包含艺术家书籍《信号与岩石》(2017)的文档。该书于2017年在斯坦利·皮克画廊展览期间展出,并旨在与最终音频作品《重写过度编码》(2017)相辅相成。《信号与岩石》作为一种虚构的超物体形式,不仅扩展了电影和音频作品的功能与内容,还通过一系列跨引用的笔记,基于实践策略与方法构建。该书的重要性在于,它召集了一系列非人类虚构角色,以突出数字技术的非人类视角与物质性,包括如‘数字图像’和‘山地大猩猩’等角色,以及位于电子垃圾场下的分解电组件。在书末部分,一份宣言被提出,该宣言通过运用虚构手法重新构建人造机器、其原材料与地球之间的关系,直接回应了研究问题。所有材料均由查理·特威德拥有并制作,并已获得展示许可。这些物品的版权归查理·特威德所有,未经作者和艺术家许可,不得重新使用或分发。本项材料受版权保护,未经作者和艺术家许可,不得使用或共享。使用本存储库即表示您已遵守其政策。
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