12.1 Segment of a phô dance performance: AV

AV12.1: Audiovisual Example 1 in Chapter 12 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. For female participants at the Festival of Dance and Oboes. Part of a phô dance performance by the Sanggar Cempala Kuneng female dance troupe from Calang, Kabupaten Aceh Jaya in March 2003. The dance troupe was led by Ibu Rohani of Calang, a former dance student of Ibu Cut Asiah in Meulaboh, with Syéh Ibu Nurbaiti as ‘syéh’ or lead singer. The backdrop was a north Aceh-style bridal throne. The segment shows introductory bowing (’seumbah’), after which the dancers move in single row, double row and central-point-in-a-circle formations, the latter with the leader ‘sitting’ (kneeling) in the middle of the circumambulating group. Two aneuk syahé (solo vocalists) sing texts from a tragic legend about Madion and Malelang, a male and female teenage pair, who are victims of slander and sentenced to death. The dancers sing group responses to the solo singing.
These recordings of traditional Acehnese music and dance were made during Margaret Kartomi’s Australia Research Council-funded field trip to the Festival Tari dan Seuruné Kalée (Festival of Dance and Oboes) in Lhokseumawe, North Aceh, Indonesia, 28 February- 2 March 2003. Margaret Kartomi was invited to record at the Festival by the Bupati (district head) of North Aceh, Bp Tarmizi Karim and Bp Noerdin Daood, lecturer in Acehnese dance in the Jakarta Arts Institute (IKJ), who was a member of the jury. She was accompanied by her husband, Mas Kartomi, and Monash PhD ethnomusicology alumnus, Iwan Dzulvan Amir. Camera by Iwan Dzulvan Amir. Recorded by permission of the Bupati of North Aceh, Bp Tarmizi Karim, and his appointed artist and 2003 festival organiser - Bp Rizal, on behalf of the troupes who performed in the Festival.

Copyright 2003. Margaret J. Kartomi. Camera by Iwan Dzulvan Amir

AV12.1：本书第12章第1个音视频示例（Audiovisual Example），出自玛格丽特·卡尔托米（Margaret Kartomi）所著《苏门答腊的音乐之旅》（Musical Journeys in Sumatra），伊利诺伊大学厄巴纳-香槟分校出版社，2012年。本素材供双簧管与舞蹈节（Festival of Dance and Oboes）的女性参演者使用。2003年3月，来自亚齐贾亚县（Kabupaten Aceh Jaya）卡朗市的桑加尔·曾帕拉·库能（Sanggar Cempala Kuneng）女性舞蹈团呈现的phô舞（phô dance）表演片段。该舞蹈团由卡朗市的罗哈尼夫人（Ibu Rohani）带队，她曾是梅鲁博市（Meulaboh）的古特·阿西娅夫人（Ibu Cut Asiah）的舞蹈学生，由谢·努尔贝蒂夫人（Syéh Ibu Nurbaiti）担任“谢（syéh）”一职，即主唱。舞台背景为北亚齐风格的新娘宝座。本片段展示了开场塞姆巴礼（seumbah）环节，随后舞者依次排成单列、双列，并围成以中心为核心的圆形队列；圆形队列中，领舞者以跪坐姿态“端坐”于绕行队伍的中心位置。两名安纽克·夏耶（aneuk syahé，独唱歌手）演唱源自悲剧传说《马迪翁与马莱朗》的唱词，该传说讲述一对少年情侣因遭诽谤被判死刑的故事。舞者们以合唱回应独唱。

这批亚齐传统音乐与舞蹈录音，由玛格丽特·卡尔托米在澳大利亚研究委员会（Australian Research Council）资助下，于2003年2月28日至3月2日赴印度尼西亚北亚齐省洛克绍马韦市实地采风时录制，对应活动为“塔里丹·塞鲁内·卡莱节（Festival Tari dan Seuruné Kalée，即双簧管与舞蹈节）”。玛格丽特·卡尔托米受北亚齐县长塔尔米齐·卡里姆阁下（Bupati Tarmizi Karim），以及雅加达艺术学院（IKJ, Institute Kesenian Jakarta）亚齐舞蹈讲师、本届节评委努尔丁·达乌德阁下（Bp Noerdin Daood）邀请，在该节日进行录音。同行人员包括其丈夫马斯·卡尔托米（Mas Kartomi），以及莫纳什大学民族音乐学博士校友伊万·祖尔万·阿米尔（Iwan Dzulvan Amir）。摄像工作由伊万·祖尔万·阿米尔完成。本次录制已获得北亚齐县长塔尔米齐·卡里姆阁下，以及其指定的艺术家、2003年艺术节组织者里扎尔阁下（Bp Rizal）代表参演舞团的授权。

版权所有2003年，玛格丽特·J·卡尔托米（Margaret J. Kartomi）。摄像：伊万·祖尔万·阿米尔。