Sardine Page (Fishing), 1951

16 images. Sardine Page (Fishing), 01 November 1951. Pete Balestreri; Captain Tony Barcott; Joe Zupparde; Jack Taormina; James Lucido.; Supplementary material reads: "Note: Captions and negs. arranged in sequence. Att.: Riblett. Gershon. Illus: Sardine Picture Page. First step in preparing to trap sardines in purse seine is to make ready the Coral Sea's skiff. No 13: Nick Zuvella ( hands in pockets) watches as other crew members lift bow of skiff just prior to letting it go over the stern. No 4: Jack Taormina, left, and Pete (the Barber) Balestreri in skiff from purse seiner Coral Sea as skiff hits the water. Taormina tends net lines while Balestreri tends oar. No 5: With skiff drifting away in background, Nick Zuvella climbs up on net on knees to watch for any snarling of nets as it plays out. Coral Sea continues ahead at moderate speed to insure fast running out of net. Coral Sea will complete circle back to skiff. No 3: Nick Zuvella watches corner of net for snags as it is paid out. No 7: Net circle completed, Coral Sea's skiff with Jack Taormina and Pete Balestreri in it tends to bobbing cork line which holds up net. Bottom of net is 180 feet down at this point. First step in trapping fish now is to pull rings at bottom of net together to form "purse" of seine and haul this part of net to deck of fishing boat. No 2: At winch, James Lucido pulls in slack on cable while Joe Zupparde ( in slickers) and other crew members prepare to gather in net to be secured on deck. Note cluster of rings at top of net. These rings were drawn together while net was under water and closed 'purse' on sardines. The rings have been drawn up from center of purse which now makes remainder of net only 90 feet under water. No 1: 'Stacking of net' now begins. Pete Balestreri in foreground, guides line with ring on it (ring is in his hands) while other crew members spread out net to fold it in as it is dropped from top of boom. Net is laid in folds so that it will run out more easily in next 'set'."; Supplementary material continues: "Att.: Riblett. Gershon. Sardine page captions. No 9: Pete Balestreri, foreground, reaching for hook to put in sling he has wrapped around gathered section of net coming over the side of the Coral Sea while Pete Iacono removes sling from section of net just landed on deck of net turntable. No 10: As net gets closer to the side of seiner even the "Skipper" lends a hand. Captain Tony Barcott, owner of Coral Sea, is shown hauling in guide line. No 12: Crew members haul in remaining lengths of net to bring fish to surface ready for "brailing", next step in landing fish. In this shot, sardines are shown just below the surface of water. No 8: Fish are ready for "brailing" (bringing hold of purse seiner, Coral Sea). Looking down, top of head of Pete Balestreri is seen. No 15: Sardines pour out of ring (mouth) of brailer into hold of Coral Sea. Brailer has large ring attached to long handle and long net-like sack. Ring or "mouth" is dipped into fish at side of vessel, brought to hatch opening and then "tail" of sack is lifted by boom and cable to dump fish into hold. In this shot, Nick Zuvella watches (he's in slicker while James Lucido tends winch). No 16: Joe Zupparde (in checkered shirt) watches as silver stream of sardines pile out of brailer into holds of Coral Sea. No 11: Another view of sardines going from brailer into hold of Coral Sea. When fog closes down on fishing boat, fathometer is used to intercept schools of fish. No 14: Joe Zupparde whose job it is to read fathometer points to numbers which indicate how deep school may be. A red "blip" marks surface and two red blips mark depth of bottom, any recordings in between indicate movement of fish. No 10: Capt. Tony Barcott shown at radio as he exchanges fish information with other skippers".; Supplementary material continues: "Att Riblett. Sardine picture page. Fishermen guard certain information about locale of fish but obvious information is relayed among fleet. No 6 and 18: Fog closed down on fishing boat New Home II which Coral Sea encountered. But fog was too late to prevent New Home II from scooping up 30 tons of sardines, shown being "brailed" aboard. Photo taken from bow of Coral sea which Capt. Tony Barcott put in this close for photo taken in heavy fog".本数据集包含16张图片，源自1951年11月1日的《沙丁鱼捕捞》专版（Sardine Page (Fishing)），涉及人物包括皮特·巴莱斯特雷里（Pete Balestreri）、托尼·巴科特船长（Captain Tony Barcott）、乔·祖帕德（Joe Zupparde）、杰克·陶尔米纳（Jack Taormina）与詹姆斯·卢西多（James Lucido）。 补充说明原文标注："注：说明文字与底片均按顺序整理。收件人：里布利特（Riblett）、格申（Gershon）。配图：沙丁鱼图片专版。 围网（purse seine）捕捞沙丁鱼的首要步骤，是为“科拉尔西号”（Coral Sea）的作业小艇（skiff）做好准备。 编号13：尼克·祖维拉（Nick Zuvella，双手插兜）正看着其他船员将小艇船艏抬起，准备将其从船尾下放。 编号4：杰克·陶尔米纳（左）与“理发师”皮特·巴莱斯特雷里身处围网渔船“科拉尔西号”的小艇中，此时小艇正触水。陶尔米纳负责打理网绳，巴莱斯特雷里则操控船桨。 编号5：背景中小艇正逐渐驶离，尼克·祖维拉跪趴在渔网上，以便观察放网过程中是否出现网具缠绕。“科拉尔西号”以中等速度持续前进，以确保渔网能够快速放出，随后将完成回环以回到小艇旁。 编号3：尼克·祖维拉紧盯网角，检查放网过程中是否出现挂网情况。 编号7：网具回环完成，搭载着杰克·陶尔米纳与皮特·巴莱斯特雷里的“科拉尔西号”小艇正操控漂浮的浮绳——该浮绳用于撑起网具。此时网具底部位于水下180英尺处。捕捞沙丁鱼的下一步操作，是将网具底部的环圈收拢，形成围网的“囊袋”，并将该段网具吊运至渔船甲板。 编号2：在绞盘旁，詹姆斯·卢西多正收拉缆绳的松弛部分，乔·祖帕德（身着防水服）与其他船员正准备收拢网具，以便将其固定在甲板上。请注意网具顶部的环簇：这些环圈在水下时便已被收拢，将沙丁鱼困在围网囊袋中。环圈从囊袋中心被拉起，至此网具剩余部分仅位于水下90英尺处。 编号1：“叠放网具”的流程正式启动。前景中的皮特·巴莱斯特雷里正手持带环的缆绳进行引导，其他船员则展开网具，在其通过吊杆下放时将其折叠收纳。网具以折叠层状摆放，以便下次投放时能够顺利放出。" 补充说明续篇："收件人：里布利特、格申。沙丁鱼专版说明文字。 编号9：皮特·巴莱斯特雷里位于前景，正伸手将挂钩插入他缠绕在从船舷吊出的收拢网段上的吊索中，此时皮特·亚科诺（Pete Iacono）正将吊索从刚被吊运至甲板的网段上卸下。 编号10：随着网具逐步靠近渔船舷侧，连“船长”都前来搭手。图中为“科拉尔西号”船东托尼·巴科特船长，正牵拉导向绳。 编号12：船员们正收拢剩余网段，将鱼群带至水面，准备开展“捞鱼卸舱”（brailing）操作——这是卸鱼的下一步流程。本张照片中，沙丁鱼群正位于水面下方。 编号8：鱼群已准备就绪，等待“捞鱼卸舱”（将渔获转运至围网渔船“科拉尔西号”的鱼舱）。从俯视视角可见皮特·巴莱斯特雷里的头顶。 编号15：沙丁鱼从捞鱼吊网（brailer）的环口（“嘴部”）倾泻而出，流入“科拉尔西号”的鱼舱。捞鱼吊网配有大型环口，连接长手柄与长网状囊袋：将环口（即“嘴部”）浸入船侧的鱼群中，吊运至舱口上方，再通过吊杆与缆绳拉起囊袋“尾部”，将渔获倒入鱼舱。本张照片中，尼克·祖维拉身着防水服正在一旁观察，詹姆斯·卢西多则操控绞盘。 编号16：乔·祖帕德身着格纹衬衫，正看着银色的沙丁鱼群从捞鱼吊网中倾泻而出，堆入“科拉尔西号”的鱼舱。 编号11：另一张沙丁鱼从捞鱼吊网转运至鱼舱的视角画面。当渔船遭遇大雾时，可借助测深仪（fathometer）搜寻鱼群。 编号14：负责读取测深仪数据的乔·祖帕德正指向指示鱼群深度的数值。测深仪的红色“光点”标记水面，两个红色光点标记海底深度，两者之间的任何记录均代表鱼群的移动轨迹。 编号10：托尼·巴科特船长正操作无线电，与其他船长交换渔获信息。" 补充说明续篇："收件人：里布利特。沙丁鱼图片专版。渔民会对鱼群位置等部分信息保密，但通用信息会在渔船船队间共享。 编号6与18：大雾笼罩了“新家园二号”（New Home II）渔船，“科拉尔西号”与其相遇。但大雾并未影响“新家园二号”打捞起30吨沙丁鱼，照片记录了该船正在进行捞鱼卸舱作业的场景。本照片拍摄于“科拉尔西号”的船艏，由托尼·巴科特船长调整至近距离拍摄，以记录大雾中的作业场景。"