Desperate Exhibition Making Techniques

This work is important research that contributed directly to my Phd currently titled "activities and it's affects in the artists studio" This is new knowledge of work that contributs to the proliferation of making work and exploreing a site, in particular collaborating using the gallery as a studio and using the gallery administrators and the gallery director and materials availlable on this site to make work. This method of working is not only realying on arte povera to make work but also is also reflecting on instituitional critiquie a contemporary movemnt of art pratcice that relies on reflecting on the instituitions that the work is made in to proliferate and create work whilst also reflecting on the role that the instituition plays in presenting the work. The final results of this project, was performance, photography and video.

This project was a commision by Y3K a project space in Melbourne / Australia. It contributes to other artits in dialogue with instituitional critique, such as Hayley Newman, Andrea Fraser, Francis Alys, Bianca Hester, collaborative project with Ardi Gunawan.
The work is in the private collection of James Deutscher
Catalogue Essay by Caterina Riva, curator/writer and director of FormContent London.

本研究为我目前题为《艺术家工作室中的活动及其影响》的博士学位论文提供了直接支撑的重要研究成果。本研究为创作实践的拓展与场地探索提供了全新的认知视角，其中尤其聚焦于以画廊作为工作室开展协作创作，并依托场地内的画廊管理人员、总监及可获取的物料来完成作品。此种创作方法不仅依托贫穷艺术（Arte Povera）的创作逻辑完成作品，同时也对制度批判（Institutional Critique）展开反思——作为当代艺术实践的重要流派，制度批判以反思作品创作所处的制度体系为核心，以此拓展创作边界并产出作品，同时也对该制度在作品展示过程中所扮演的角色进行审视。本项目的最终成果涵盖行为艺术、摄影与影像作品。

本项目由澳大利亚墨尔本的项目空间Y3K委托创作。本研究也为与制度批判形成对话的其他艺术家提供了参考，其中包括海莉·纽曼（Hayley Newman）、安德里亚·弗雷泽（Andrea Fraser）、弗朗西斯·埃利斯（Francis Alys）、比安卡·赫斯特（Bianca Hester），以及与阿迪·古纳万（Ardi Gunawan）合作的项目。该作品现收藏于詹姆斯·多伊彻（James Deutscher）的私人藏品中。展览画册撰文由伦敦FormContent的总监、策展人兼作家卡特里娜·里瓦（Caterina Riva）完成。