Wayang - Lagu Bertempur

Audio 7.12: Audio Example 12 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, Champaign-Urbana: University of Illinois Press, 2012. One of Palembang’s main contributions to Sumatran arts lies in its Javanese-derived “wayang kulit” or shadow puppet performances and gamelan. Unlike courts in other provinces of Sumatra which were predominantly Malay, the members of Palembang’s former palace regarded themselves as descendants of Javanese aristocracy. As such, they prized Javanese music, language and culture. “Wayang-Lagu Bertempur”, a “lagu perang” or war song, was the first musical item presented in a “wayang kulit” performance recorded in January 1988 in Palembang. The “gamelan” instruments accompanying the puppet action, and led by Bp A. Syudin, comprised a metallophone (“saron”) playing the melody, gongs (“kempur” and “kenong”) to maintain the tempo, and a double-headed drum (“gendang”) to provide rhythmic interest and leadership. Duration: 3 min. 17 sec.

Copyright 1988. Margaret J. Kartomi.

Audio 7.12：本书第7章的示例音频12，出自玛格丽特·卡尔托米（Margaret Kartomi）所著《苏门答腊的音乐之旅》（"Musical Journeys in Sumatra"），伊利诺伊大学厄巴纳-香槟分校出版社2012年版。

巴邻旁（Palembang）对苏门答腊艺术的核心贡献之一，源自爪哇传入的"哇扬皮影戏（wayang kulit）"与甘美兰（gamelan）乐舞。与苏门答腊其他以马来文化为主导的宫廷不同，巴邻旁旧宫廷的成员自视为爪哇贵族后裔，因此推崇爪哇音乐、语言与文化。

《哇扬战歌（"Wayang-Lagu Bertempur"）》是一首"战歌（lagu perang）"，为1988年1月于巴邻旁录制的首场哇扬皮影戏表演中的首个曲目。该表演的伴奏甘美兰乐队由A·苏丁先生（Bp A. Syudin）指挥，所用乐器包括演奏旋律的金属木琴（"saron"）、维持节拍的铜锣（"kempur"与"kenong"），以及用以丰富节奏层次并担任领奏的双面鼓（"gendang"）。

本音频时长：3分17秒。

版权所有：1988年，玛格丽特·J·卡尔托米（Margaret J. Kartomi）。