A COMPARATIVE ANALYSIS: THE IMAGE OF SPRING IN CONTEMPORARY UZBEK AND GERMAN POETRY

This article explores the poetic significance of seasons, specifically focusing on the image of spring in contemporary Uzbek and German poetry. Spring is analyzed not only as a natural phenomenon but also as a profound symbol of spiritual awakening, hope, and the renewal of the human psyche. By comparing the works of Uzbek poets (S. Sayid, I. Mirzo, X. Rustamova, Z. Mirzo) with German authors (N. Gomringer, M. Rinck, A. Kampmann, J. Wagner), the study identifies both universal commonalities and distinct cultural interpretations. While Uzbek poetry portrays spring through a romantic and lyrical lens tied to national traditions, German poetry tends toward minimalist, realistic, and philosophical approaches. The study concludes that despite stylistic differences, spring serves as a common poetic truth reflecting the harmony between humanity and nature.