A Contre Coeur at The Middelheim Museum, Antwerp

Reinhoud of Haese , was born in 1928 and died in Geraardsbergen on July 1, 2007 in France , is a Belgian sculptor , member of the CoBrA group. He made his debut in Brussels to a goldsmith, and then attended the National School of Architecture and Decorative Arts where he learned metal work sculpture. In 1950 he joined the Marais workshops in Brussels, a kind of incubator of the Cobra group, where he is actively involved in the transformation workshops center to receive artists. There he met, among others, Christian Dotremont, Luc de Heusch, Alechinsky and Hugo Claus, who will accompany artists throughout his career. After the dispersion of the Ateliers du Marais, the experimental gallery Taptoe in Brussels in 1956 organized an exhibition devoted entirely to Reinhoud. He received the award from the Belgian Critical. What inspires these are insects: Mosquito and Snoop are the titles of works he exhibited there. From that time Reinhoud will increasingly unleash his imagination, to create a sculpture gallery, animals, plants, and especially the characters, so characters catalog in the tradition of The Heather.Most of his sculptures are remarkable and enigmatic titles like It lacks only the floor must sing in Chinese, or where there is talk of a double bass, Misses James and a slice of apple. In total, over 3,000 sculptures - all unique pieces of brass, copper, ceramic, wood or even bread - where Reinhoud exposes us his fantastic bestiary in trouble, his vision of man somewhat mocking all rooted in the living daily without hiding anything from its roots by Brueghel or Bosch CoBrA. End 2010 - 2011 first retrospective exhibition dedicated to him at the Royal Museums of Fine Arts in Brussels marking which includes a sample of his sculpted works and drawings from the 1960s to the 2000s. (Credit; Wikipedia) This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email [e-mail] to find out how you can help.Scanned : Photogrammetry (Processed using Agisoft PhotoScan)雷因豪德·德·哈泽（Reinhoud of Haese）1928年出生，2007年7月1日于法国热拉尔兹贝亨（Geraardsbergen）逝世，是比利时雕塑家，哥布拉（CoBrA）艺术团体成员。他早年以金匠身份在布鲁塞尔开启职业生涯，随后考入国立建筑与装饰艺术学院，系统学习金属雕塑工艺。1950年，他加入布鲁塞尔的马拉依工坊（Marais workshops）——该工坊曾是哥布拉（CoBrA）艺术团体的孵化基地，他积极参与工坊的转型工作，将其改建为艺术家驻留中心。在此期间，他结识了克里斯蒂安·德罗特蒙（Christian Dotremont）、吕克·德·于什（Luc de Heusch）、阿莱钦斯基（Alechinsky）与雨果·克洛斯（Hugo Claus），这些艺术家将伴随他的整个创作生涯。马拉依工坊解散后，布鲁塞尔的实验性画廊塔普托（Taptoe）于1956年为他举办了专属个人展览。他曾斩获比利时评论家协会颁发的艺术奖项。他的创作灵感多源自昆虫，此次展览中展出的《蚊子（Mosquito）》与《斯努普（Snoop）》便是其昆虫主题创作的代表作品。自此之后，雷因豪德愈发释放创作想象力，打造出涵盖动物、植物乃至人物的雕塑系列，其人物创作传承了《希瑟（The Heather）》的创作脉络。他的多数雕塑作品配有精妙晦涩的标题，例如《唯有地板需歌唱（It lacks only the floor must sing in Chinese）》、《提及低音提琴、詹姆斯小姐与一片苹果的作品（where there is talk of a double bass, Misses James and a slice of apple）》。其累计创作超3000件雕塑作品，全部为黄铜、铜、陶瓷、木材乃至面包材质的孤品，雷因豪德借此向观者展现了充满奇幻色彩的兽群世界，以及带有戏谑意味的人类审视视角——这种创作根植于鲜活的日常，毫无掩饰地继承了勃鲁盖尔（Brueghel）与博斯（Bosch）的艺术根源，同时兼具哥布拉（CoBrA）的艺术特质。2010年末至2011年，布鲁塞尔皇家美术博物馆为他举办了首个个人回顾展，展出了他1960年代至2000年代的雕塑与素描作品。（资料来源：维基百科）本作品属于「扫描世界（Scan The World）」项目收录范畴。扫描世界是由MyMiniFactory推出的非营利性倡议，旨在建立全球范围内可3D打印的雕塑、艺术品与地标建筑的数字档案库，供公众免费获取。该项目为开源社区协作项目，若您身边有值得分享的藏品并希望参与贡献，可发送邮件至[e-mail]了解参与方式。扫描方式：摄影测量法（采用Agisoft PhotoScan软件处理）