ECOLOGICAL MIGRATION LITERATURE: A COMPREHENSIVE ANALYSIS IN GLOBAL AND UZBEK CONTEXTS

This article examines the emerging genre of ecological migration literature, analyzing its development within the global cli-fi (climate fiction) movement and its nascent presence in Uzbek literature. Drawing upon international organization data (UN, IOM) projecting 200 million climate migrants by 2050, the study applies postcolonial theory (Bhabha's "third space," hybridity) and transnational literary analysis to examine how environmental displacement is aesthetically represented. Through detailed analysis of major world works (Bacigalupi, Kingsolver, El Akkad, Robinson, McConaghy) and emerging Uzbek contexts (Aral Sea catastrophe, desertification, rural-urban climate migration), the article identifies key narrative patterns: dystopian resource conflicts, intergenerational identity crises, "unhomeliness," and socio-economic-ecological hybrid causation. Comparative methodology reveals both universal cli-fi tendencies and specifically Central Asian characteristics, arguing for the potential of Uzbek literature to contribute to global ecological discourse through localized engagement with the Aral Sea environmental trauma and climate-induced labor migration.本文聚焦新兴的生态移民文学流派，剖析其在全球气候小说（cli-fi）运动中的发展脉络，以及该流派在乌兹别克斯坦文学中的初现形态。本文依托联合国（UN）、国际移民组织（IOM）发布的预测数据——该数据显示到2050年全球气候移民规模将达2亿——运用后殖民理论（巴巴提出的"第三空间""混杂性"）与跨民族文学分析方法，探究环境流离失所现象的审美呈现路径。本文通过对多国经典作品（巴奇加卢皮、金索尔弗、埃尔·阿卡德、罗宾逊、麦康纳吉）以及乌兹别克斯坦新兴语境（咸海灾难、荒漠化、城乡气候移民）的细致分析，总结出四大核心叙事范式：反乌托邦式资源冲突、代际身份危机、"无家可归感"，以及社会-经济-生态混杂成因。比较研究方法既揭示了气候小说的普遍叙事倾向，也凸显了中亚地区的独特特质，本文主张乌兹别克斯坦文学可通过聚焦咸海环境创伤与气候引发的劳务移民议题，以本土化实践参与全球生态话语建构。