106. Perkoff interview, reading poems; Lipton & Myer discussion on Beat, 1958?; Rios reading poems; Reingold reading poems

Tape 106, side 1, part A) Jazz (0:02). Lawrence Lipton interviews Stuart Z. Perkoff (0:07) on his development as a poet from "The Venice poems" to his current state, mentions "The naming poem", "Crucifixion poem", his time in Seattle speaking with Theodore Roethke (poet), the beat generation phenomenon, Allen Ginsberg (poet) who said "dig prosity", popularity as a poet, Suzan Blanchard (wife), reading William Blake's poetry, William Butler Yeats (poet), Ezra Pound (poet), Perkoff's "That curse", Majaleesy[?] (poet), the Kreely family language, Perkoff's "Three little short poems", Frankie (poet?), June Janson[?], the naming ritual in poetry, Perkoff's "A birthday poem, without any name, for the 19th of June, and she named the same", Sash "Alex", Perkoff reading Perkoff's "Alex is Alex" (11:18), being in therapy and writing on the walls, the sane vs. the insane, the Venice West cafe, communicating through poetry, John Montgomery (poet). ❧ Tape 106, side 1, part B) Stuart Z. Perkoff his poetry: "The birds, on the beach" (19:48), "I didn't lift my eyes from the floor" (20:48), "Giant numbskull dingo" (22:19), "The gulls move through the air" (23:05). ❧ Tape 106, side 1, part C) Lawrence Lipton talking with Eva Myer (23:58) about the beat generation, nonconformity, clothing, the Brooks Brothers suit as uniform, Allen Ginsberg (poet), poetry, squares and cats, trickle-down economics vs. upward seepage by osmosis of culture, studio couches, the pad, "getting down", returning from the Korean War, the G.I. Bill's impact on jazz men, Jack Kerouac (writer), Friedrich Niezsche (writer), inflation, writers and poets and musicians interpret the beat generation, delinquency, Jimmy Dean, the beat generation age group is in their teens and twenties, but the spokesmen are older, Venice West (founded about 1954) consists of about 25 artists and writers and poets, Venice West vs. Greenwich Village, the Bohemians in San Francisco, ca. 1958. Jazz (44:20). ❧ Tape 106, side 1, part A) Jazz (0:02). Frank "Frankie" Rios (0:18) reading his "The steel lady" (0:30), "Home" from Topanga (1:09), "Crack out, a poem for Grace" from Topanga (2:32), "Woodland Labor Corporation" (3:32), "Sound session, to Charlie Parker" (4:21), "Together" (5:36), "Social suppresion" (6:19), "Night open and lamp light" (7:19), "Early morning flute playing children" (8:31), "Invitation acknowledged to the house of Vicki" (9:35), "Pushing stool sides on the rounded bends of circular sound" (10:36), "Accused" (11:42). ❧ Tape 106, side 1, part B) Joy Reingold reading her "Cancel the cage" (12:53), "Leisure in a glance" (13:18), "Compact, compressed" (14:08), "The poet bereft of audience speaks" (16:22), "Early waked by instinct" (17:44), "Man primitive is dead" (19:17), "Get out" (21:22), "A small street in a big town" (23:41), "Through lake and river fog" (25:18), "Soon it will be spring" (26:36), "Suddenly you hit the sky note" (27:26), "Equate this ache with love" (28:09), "It's a great thing to be a stranger in this world" (28:46), "It snows forever somewhere" (29:48), "Local foxes lope down honey rolling plains" (30:12), "Abbreviate eventless time" (30:46). Lawrence Lipton talking with Eva Myer (32:29) about an unidentified nonconformist, Charlie "Bird" Parker (musician), the Beat generation is the negrification of the American people, the negro will be the salvation of America because he is an outcast, on Lipton's poem "We are the orphaned young". Jazz (37:00). ❧ Tape 106, side 1, part C) Blank. -- TIMES indicate where sections begin.

磁带106，第一面，A部分）爵士乐（Jazz，0:02处开始）。劳伦斯·利普顿（Lawrence Lipton）于0:07处采访斯图尔特·Z·珀科夫（Stuart Z. Perkoff），内容围绕其作为诗人的创作历程：从《威尼斯诗集》（"The Venice poems"）到当下的创作状态，提及《命名之诗》（"The naming poem"）、《受难诗》（"Crucifixion poem"）；他在西雅图与诗人西奥多·罗特克（Theodore Roethke）的交流经历、垮掉的一代（Beat generation）文化现象；诗人艾伦·金斯堡（Allen Ginsberg）曾提出“挖掘散文性”（"dig prosity"）的主张；作为诗人的知名度、他的妻子苏珊·布兰查德（Suzan Blanchard）；朗读威廉·布莱克（William Blake）、威廉·巴特勒·叶芝（William Butler Yeats）、埃兹拉·庞德（Ezra Pound）的诗作；珀科夫的作品《那诅咒》（"That curse"）、诗人马贾利西（Majaleesy[?]）、克里利家族的语言风格、珀科夫的《三首短小诗》（"Three little short poems"）、诗人弗兰基（Frankie[?]）、琼·詹森（June Janson[?]）；诗歌中的命名仪式；珀科夫的《无题名生日诗，致六月十九日，而她亦以同名为题》（"A birthday poem, without any name, for the 19th of June, and she named the same"）、萨什·“亚历克斯”（Sash "Alex"）；珀科夫朗读其作品《亚历克斯即亚历克斯》（"Alex is Alex"，11:18处开始）；谈及心理治疗与墙面涂鸦创作、理智与疯癫的边界、威尼斯西咖啡馆（Venice West cafe）、以诗歌作为沟通媒介；诗人约翰·蒙哥马利（John Montgomery）。
❧ 磁带106，第一面，B部分）斯图尔特·Z·珀科夫的诗作：《海滩上的群鸟》（"The birds, on the beach"，19:48处开始）、《我未曾抬眼凝视地面》（"I didn't lift my eyes from the floor"，20:48处开始）、《愚钝的澳洲野犬》（"Giant numbskull dingo"，22:19处开始）、《海鸥翱翔天际》（"The gulls move through the air"，23:05处开始）。
❧ 磁带106，第一面，C部分）劳伦斯·利普顿与伊娃·迈尔（Eva Myer）于23:58处展开对谈，话题涵盖垮掉的一代、不落俗套的生活方式、着装风格、布鲁克斯兄弟（Brooks Brothers）西装作为标准化制服、艾伦·金斯堡、诗歌、“循规蹈矩者”与“叛逆者”、涓滴经济学与文化渗透式上行流动、工作室沙发、“居所”、“沉浸其中”、朝鲜战争退伍经历、退伍军人法案（G.I. Bill）对爵士乐从业者的影响、作家杰克·凯鲁亚克（Jack Kerouac）、作家弗里德里希·尼采（Friedrich Nietzsche）、通货膨胀；作家、诗人与音乐人如何解读垮掉的一代、青少年犯罪、吉米·迪恩（Jimmy Dean）；垮掉的一代的受众群体多为青少年与二十岁左右的年轻人，但其代言人年龄偏大；威尼斯西咖啡馆（成立于1954年左右）拥有约25位艺术家、作家与诗人；威尼斯西咖啡馆与格林威治村、旧金山波西米亚社群的对比（约1958年）。爵士乐（44:20处开始）。
❧ 磁带106，第一面，A部分）爵士乐（0:02处开始）。弗兰克·“弗兰基”·里奥斯（Frank "Frankie" Rios）于0:18处开始朗读其作品：《钢铁丽人》（"The steel lady"，0:30处开始）、《来自托潘加的家》（"Home" from Topanga，1:09处开始）、《迸发：致格蕾丝的诗》（"Crack out, a poem for Grace" from Topanga，2:32处开始）、《林地劳工公司》（"Woodland Labor Corporation"，3:32处开始）、《致查理·帕克的声音会话》（"Sound session, to Charlie Parker"，4:21处开始）、《相伴》（"Together"，5:36处开始）、《社会压制》（"Social suppresion"，6:19处开始）、《夜幕初绽与灯火》（"Night open and lamp light"，7:19处开始）、《晨间吹笛的孩童》（"Early morning flute playing children"，8:31处开始）、《致维姬宅邸的受邀回复》（"Invitation acknowledged to the house of Vicki"，9:35处开始）、《推搡凳沿于循环声响的圆润弯道间》（"Pushing stool sides on the rounded bends of circular sound"，10:36处开始）、《被指控》（"Accused"，11:42处开始）。
❧ 磁带106，第一面，B部分）乔伊·莱因戈尔德（Joy Reingold）朗读其诗作：《封闭牢笼》（"Cancel the cage"，12:53处开始）、《一瞥间的闲暇》（"Leisure in a glance"，13:18处开始）、《紧凑与压缩》（"Compact, compressed"，14:08处开始）、《失去听众的诗人在言说》（"The poet bereft of audience speaks"，16:22处开始）、《本能唤醒的清晨》（"Early waked by instinct"，17:44处开始）、《原始人类已逝去》（"Man primitive is dead"，19:17处开始）、《离去》（"Get out"，21:22处开始）、《大城小巷》（"A small street in a big town"，23:41处开始）、《穿越湖河迷雾》（"Through lake and river fog"，25:18处开始）、《春日将至》（"Soon it will be spring"，26:36处开始）、《猝然触及天际之音》（"Suddenly you hit the sky note"，27:26处开始）、《将此痛楚等同于爱意》（"Equate this ache with love"，28:09处开始）、《身为世间陌客实为幸事》（"It's a great thing to be a stranger in this world"，28:46处开始）、《永雪之地》（"It snows forever somewhere"，29:48处开始）、《原野狐群漫步于蜜色丘陵》（"Local foxes lope down honey rolling plains"，30:12处开始）、《压缩无甚波澜的时光》（"Abbreviate eventless time"，30:46处开始）。劳伦斯·利普顿与伊娃·迈尔于32:29处展开对谈，话题涵盖一位身份不明的不落俗套者、音乐人查理·“飞鸟”·帕克（Charlie "Bird" Parker）、垮掉的一代是美国民众的“黑人化”进程、黑人将成为美国的救赎者——因其身为被放逐者、以及利普顿的诗作《我们是失怙的青年》（"We are the orphaned young"）。爵士乐（37:00处开始）。
❧ 磁带106，第一面，C部分）空白段。——【TIMES】标注各章节起始节点。