Screendance Bárbara and its Poetics of ‘BBC’ Dialogues, or Between Body, Beliefs and the City

ABSTRACT The objective is to reflect on how the work Bárbara creates artistic poetics from the dialogue between urban space and screendance, problematizing deeply rooted beliefs from contemporary art and tensioning others, different ones, from digital culture. Principles of practice are adopted as research to discuss the interfaces between dance, audiovisual technology and modern architecture in Cataguases, Minas Gerais. Recording and editing strategies are highlighted in the creative process of the videodance Bárbara, and the state of trance, of estrangement that happened both to the character, when she dared to dance in a sacred space of the city, and to the researcher who dared to venture, in a wandering way, through the hybrid paths of contemporary art that dialogue dance and audiovisual.

摘要 本研究旨在反思作品《芭芭拉》（Bárbara）如何通过城市空间与屏幕舞蹈（screendance）之间的对话构建艺术诗学，对当代艺术中根深蒂固的观念进行问题化探讨，并强化源自数字文化的其他异质理念所蕴含的张力。本研究采用实践原则作为研究路径，探讨巴西米纳斯吉拉斯州卡塔瓜西斯地区舞蹈、视听技术与现代建筑之间的交叉边界。研究重点凸显了录像舞蹈（videodance）《芭芭拉》创作过程中的录制与剪辑策略，以及两种兼具恍惚与疏离的状态：一是作品中的角色在城市一处神圣空间中大胆起舞时所陷入的状态，二是本研究者以漫游之姿穿梭于联结舞蹈与视听艺术的当代艺术跨界路径时所历经的状态。