Giuseppe Giusti at The Borghese Gardens, Rome

Giuseppe Giusti (12 May 1809 – 31 May 1850) was an Italian poet and satirist. In 1834, Giusti, having at last earned a degree legal profession, left Pisa to go to Florence, nominally to practice with the advocate Capoquadri, but once there, he set out to enjoy life in the then-capital of Italy, Tuscany, where he devoted himself to literary interests. He fell seriously in love a second time. As before, he was abandoned by his love. It was then he wrote his finest verses. Although his poetry was not yet collected in a volume, for some years it passed from hand to hand, as was often the custom, and his name gradually became famous. The greater part of his poems were published clandestinely at Lugano, at no little risk, as the work was destined to undermine the Austrian rule in Italy. After the publication of a volume of verses at Bastia, Giusti thoroughly established his fame by his Gingillino, the best in moral tone as well as the most vigorous and effective of his poems. The poet sets himself to represent the vileness of the treasury officials, and the base means they used to conceal the necessities of the state. The Gingillino has all the character of a classic satire. When first issued in Tuscany, it struck all as too impassioned and personal. Giusti entered heart and soul into the political movements of 1847 and 1848, served in the national guard, sat in the parliament for Tuscany; but finding that there was more talk than action, that to the tyranny of princes had succeeded the tyranny ofdemagogues, he began to fear, and to express the fear, that for Italy evil rather than good had resulted. He fell, in consequence, from the high position. he had held in public estimation, and in 1848 was regarded as a reactionary. His friendship for the marquis Gino Capponi, who had taken him into his house during the last years of his life, and who published after Giusti's death a volume of illustrated proverbs, was enough to compromise him in the eyes of such men as Guerrazzi, Montanelli and Niccolini. On 31 May 1850 he died at Florence in the palace of his friend. This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email [e-mail] to find out how you can help.Scanned : Photogrammetry (Processed using Agisoft PhotoScan)朱塞佩·朱斯蒂（Giuseppe Giusti，1809年5月12日—1850年5月31日）是意大利诗人与讽刺作家。1834年，他终于取得法学学位后，离开比萨前往佛罗伦萨，名义上是跟随卡波夸德里（Capoquadri）律师从事律师执业，但抵达当地后，他便投身于当时意大利的首都托斯卡纳的文学事业，尽情享受生活。他第二次深陷爱河，却如前次一般被爱人抛弃，正是在此期间，他创作了生平最精妙的诗篇。尽管彼时他的诗作尚未结集出版，却以当时颇为流行的手抄传阅方式广为流传，他的声名也逐渐鹊起。他的大部分诗作均在卢加诺秘密刊印，此举风险颇高，因这些作品意在动摇奥地利对意大利的统治。在巴斯蒂亚（Bastia）出版诗集后，朱塞佩凭借《金吉利诺》（Gingillino）彻底奠定了自己的文坛地位，该作不仅笔力遒劲、感染力十足，更是其讽刺诗作中格调最高、最具力量的作品。诗人在诗中揭露了国库官员的卑劣嘴脸，以及他们用以掩盖国家财政困境的无耻手段。《金吉利诺》完全具备古典讽刺文学的特质。该作最初在托斯卡纳刊行时，被众人认为情绪过于激切、针对性过强。朱塞佩全身心投入1847至1848年的意大利政治运动，曾效力于国民卫队，并当选为托斯卡纳议会议员；但眼见空谈多于实干，贵族暴政之后又迎来了煽动家的暴政，他开始担忧并直言这场运动非但未给意大利带来福祉，反而可能招致灾祸。也因此，他从公众眼中的崇高地位跌落，1848年时被视为反动分子。他与侯爵吉诺·卡波尼（Gino Capponi）的情谊也为他招致非议——后者在他晚年曾邀他入住宅邸，并在他逝世后出版了一本配有插图的谚语集，这让格拉齐（Guerrazzi）、蒙塔内利（Montanelli）和尼科利尼（Niccolini）等人对他颇有微词。1850年5月31日，他于佛罗伦萨友人的宅邸中逝世。本展品隶属于“扫描世界（Scan The World）”项目。“扫描世界”是MyMiniFactory推出的非营利性公益项目，旨在构建覆盖全球的可3D打印雕塑、艺术品与地标数字档案库，供公众免费取用。该项目为开源社区协作项目，若您身边有可贡献的有趣藏品，可发送邮件至[e-mail]了解参与方式。扫描方式：摄影测量法（Photogrammetry，采用Agisoft PhotoScan软件处理）