THE FUNCTION OF THE «MIRACULOUS» AND THE «REAL» IN RUSSIAN AND UZBEK MAGICAL REALIST PROSE: A TYPOLOGY OF TECHNIQUES

This research investigates the structural and functional interplay between "miraculous" and "real" components in contemporary Russian and Uzbek prose. By synthesizing the theoretical frameworks of magical realism with the cultural specificities of the post-Soviet space, the study develops a typology of narrative techniques. The analysis focuses on how these modes process historical trauma, ecological crises, and national identity. The findings reveal that while Russian authors (Pelevin, Vodolazkin) often use the miraculous to deconstruct linear history and materialist dogmas, Uzbek authors (Dustmuhammad, Fitrat’s tradition) utilize it to revitalize spiritual archetypes and integrate national heritage into a global existential context.本研究探讨当代俄罗斯与乌兹别克斯坦散文中‘魔幻’与‘现实’元素的结构与功能互动关系。本研究将魔幻现实主义（magical realism）的理论框架与后苏联空间的文化特质相结合，构建了一套叙事手法类型学。分析重点聚焦于此类叙事模式如何处理历史创伤、生态危机与民族身份认同问题。研究结果显示，俄罗斯作家（佩列文、沃多拉兹金）常借助魔幻元素解构线性历史与唯物主义教条，而乌兹别克斯坦作家（杜斯特穆罕默德、菲拉特创作传统）则利用魔幻元素重塑精神原型，并将民族遗产融入全球生存语境之中。