The Laboratory as a Site for Research on Acting: relationships between art and science

ABSTRACT This article focuses on new knowledge perspectives proposed by research on onstage practice within the performing arts. It is based on the notion of the laboratory as a backbone, methodological framework, and place for exploring research-creation projects. Our study offers critical reflections on research procedures, taking the actor's creative process as our object of study. We go on to establish a connection between theoretical dimensions and practical expressions, through analysis of two research projects that confront performance practice with its underlying scientific premises. Lastly, different modes for publishing and disseminating the results of research on onstage practice are discussed.摘要 本文聚焦表演艺术领域内舞台实践研究提出的全新知识视角。本文以“实验室（laboratory）”概念作为核心支柱、方法论框架与探索研究-创作项目的场域，以演员创作过程为研究对象，对研究流程展开批判性反思。随后，本文通过分析两项将表演实践与其底层科学前提进行互证的研究项目，搭建起理论维度与实践表达之间的关联。最后，本文探讨了舞台实践研究成果的不同发布与传播模式。